A Quote by James Wan
As a director you're always so busy - you're go, go, go, you're always moving, moving, moving - so I'm not actually privy to all the weird stuff that's happening around me, but for a lot of the cast and crew, that's what I hear stories from them about weird stuff happening.
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I used to think that animation was about moving stuff. In order to make it really great, you bounce it, squash it, stretch it, make the eyes go big. But, as time went on, I started loving animating a character who had a kind of burning passion in her heart. Suddenly, animation became for me not so much about moving stuff as it was about moving the audience.
I'm moving and not moving at all. I'm like the moon underneath the waves that ever go on rolling and rocking. It is not, "I am doing this," but rather, an inner realization that "this is happening through me," or "it is doing this for me." The consciousness of self is the greatest hindrance to the proper execution of all physical action.
I actually think acting is a form of self-hypnosis. You have to be hyper, hyper aware of what's going on around you. You have to know where the lens is, what the shot is, and where you're moving. And then you have to trick yourself into an emotional state where you believe this stuff is actually happening.
A good director creates a playground for actors, and lets them go. The trick for a good director is in casting properly, and creating the playroom, and then they'll get stuff that they don't expect, and can't even direct. All the audience wants to believe is that whatever is happening, it is happening for the first time. They want to see the people within the work exchanging dialogue and action in that moment. There are not a lot of actors that can do that.
People might look at you as super-weird, but if that's your obsession, go for it. I do like a lot of mainstream stuff, and sometimes I also like different stuff. I tend to always root for the underdog.
If you have to conduct layoffs, which is always a regrettable thing, there's kind of three things that are very important. One is to communicate well with your employees in order to help them understand why it is you're doing, and how. Second is to make sure that the employees who are part of the go forward, understand kind of what happened and are not like the ground doesn't keep moving. It's like, okay, we did that, we're moving forward, here we go. And then for the employees that you unfortunately have to let go, try to provide as much support for them as possible.
When you do improv, you're everything. You're a performer, writer, and director, because you're moving the scene in the direction you want it to go, you're making it up as you go, and you're acting it. You're all of those things, so I always viewed myself that way. And with the films I've done, I've written on them, I've acted in some of them. And even ones I haven't acted in, I've acted them out just to be sure another actor can do them.
So many people glorify and romanticize 'busy.' I do not. I value purpose. I believe in resting in reason and moving in passion. If you’re always busy/moving, you will miss important details. I like the mountain. Still, but when it moves, lands shift and earth quakes.
When society starts moving in a way that becomes very negative, whether it's in the West or any other place, I've always found that it's very useful to have people around who actually know what's happening.
I used to get really sick. I would go to the doctor with all these ailments, and they would tell me I needed to be at home. I didn't even really understand what that meant because since I was a baby, I've always been moving, moving, and then touring.
Then you see something like the Gucci advertising and you're like, "Yes!" It gives you confidence because you feel like you're not alone - you don't have to copy it but you can find inspiration. It's not only Gucci; I feel like everything is moving quickly and there's a lot of excitement and turmoil around these designers leaving their brands, but it feels like it's buzzing. There's stuff happening and I feel like it's always exciting when there's movement.
I would go to school and try to talk to my mates about music and playing instruments and stuff, and they would turn around and go, 'What're you talking about? Shut up.' And I realised that I was the weird one.
London has become really boring. I mean, years ago, London was really happening - there was swinging London and then punk. It was really different from other cities, and so I'd always wanted to go there and see what was actually going on. After that, hip-hop was the next thing happening, so to get the records or the proper clothing, you really had to actually go to New York. But now you don't really need to go.
Read any of the top-selling business books, all of them talk about moving away from a top down manner of leading to a more inclusive one. It's not happening over night, but if you read the winds of change in most of the democracies in the world we are moving toward shared levels of power.
If people are talking about you, that's great. You start making more money, that's great. You get to go to weird places, that's great. The music industry is weird, especially with the Internet. People are calling you all kinds of weird stuff, like 'jangly.'
I'm always moving apartments or moving houses or moving cities.
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