A Quote by James Wan
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I've worked with some of the best of them. Not just directors like Sam Peckinpah and David Lynch, but writers like Sam Shepard and singers like Bob Dylan, Willie Nelson, and Kris Kristofferson.
I believe Sam Peckinpah is one of the greatest filmmakers of all time, and I hold him in high regard.
I worked for Sam Peckinpah on quite a bit of action in his films, and he got excited once in a while.
Look at me! I can go from 'Donny and Marie' to Sam Peckinpah to Radio City Music Hall in one week.
I've worked with people from Fred Zinnemann, John Huston, through to Richard Fleischer, all of those boys from Hollywood and so on, and Sam Peckinpah and then the Mike Radfords.
The point of remaking 'Straw Dogs' is not to replicate the philosophies of Sam Peckinpah at all. What made that film singular was the attitude that he brought to the characters. Oddly enough, that's the one thing that I really wanted to change.
I was influenced by American movies of the '60s and '70s, especially Don Siegel's 'Dirty Harry' and the films of Sam Peckinpah. And, of course, a lot of the film noir movies of the '40s.
If I was ever gonna remake a Peckinpah film, it would be 'Bring Me The Head of Alfredo Garcia.' That's my favorite Peckinpah film.
I've always been a fan of Westerns, but my favorite kind of Westerns mostly were Sam Peckinpah's Westerns, and they mainly took place in the West that was changing.
'Raiders of the Lost Ark' made me want to make films. I am wild about the films of John Carpenter, Ridley Scott, Howard Hawks and Sam Peckinpah.
Sam Peckinpah's movies probably say more about him than anybody's body of work says about that person. There are running themes in his films that I find eminently fascinating, disturbing, exhausting, and exhilarating.
The truth is that we're not remaking Sam Peckinpah's 'Straw Dogs,' we're making 'Straw Dogs.' We're taking this story, and we're putting our own spin on it. The mere fact that I have James Marsden in it is an indication that it's a very different film than the one that had Dustin Hoffman in it.
I am inspired by both Japanese Samurai films, in particular the films of Kurosawa, and how they share the spirit of American Westerns, with the influences running in both directions, and including the 'Spaghetti Westerns' and films of Sam Peckinpah.
My publicist told me that a magazine was going to say I was having a thing with either Sam Claflin or Bradley Cooper, and I got to choose. And I chose Bradley Cooper because I love Sam's fiancée so much. Sam is so sweet. So sweet that he's almost not hot anymore.
Knowing that I inspired SAM SMITH is one of the most powerful experiences I've had as an artist. I was Sam. I still am Sam.
We fell in love during the making of 'Ye Maaya Chesave' in 2009, and the love affair continued very well in the following years. I was, however, delaying revealing to my parents about my love affair despite Sam's insistence. One day, when we were chatting casually, Sam threatened to tie a 'rakhi' on me if I didn't tell about the love to my parents.
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