A Quote by James Wan
I am my own worst critic, and I look at 'Death Sentence' now, and I go, 'Oh wow, I have really come a long way.' In terms of a filmmaker, I feel like my filmmaking language has really matured.
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When I look back, I don't have regrets. In the moment I am really, really hard on myself, I'm definitely my own worst critic and can be my own worst enemy, and I'm trying very hard not to be that.
I think I look nicer now. It's really weird cause when you're 21 you think, "Oh God, when I'm 36, oh God, that's nearly 40, and I'll look really old and wrinkly by then". And actually I quite like the way I look. I feel OK about myself these days.
With filmmaking, I for so long was like, oh, I need permission to go out and be a director and be a filmmaker. And I read Robert Rodriguez's 'Rebel Without a Crew.' He just went out and did it, man. In his book, he even says just put your name on a business card and say you're a filmmaker. Congratulations, you're a filmmaker.
When I turn on my central air conditioner, I feel like, "Wow, I really have come a long way." Or buying the super expensive organic raw food for my dogs, and I remember when I had to buy the cheapest big bag of kibble. So I think for me it's often in terms of comfort.
Before Community started up again for the season, we had the chance to go on a long family vacation where we drove for ten days down the coast. I was like wow, look at these people that I am related to and am actually spending some quality time with! So it was great to be with them, but now my schedule is really difficult so I have to take what I can get.
We with Komplizen Film believe very much in the writer-director and in the freedom of a filmmaker. I think it's always good to be involved where you spend the money. Filmmaking, you see in the picture what the money's spent for. I never had to leave a phase of filmmaking before being really happy, and that was really a big luxury. That could happen, I think, because I am my own producer.
This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.
I really do feel like Los Angeles is my home now and, as cliche as this sounds, I felt like I found myself here and I really know who I am now. There was a long period like I was drifting or floating through life, and now I feel like I have a definitive target - and future.
Music is my first love and the thing that I feel extremely connected to. I feel like I still have a long way to go within that in terms of being able to perform and write songs. But, yeah, I really hope 'The Possession' opens doors for me to do more acting, because I really enjoyed it.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
Now it's like, I'll go to Starbucks, or I'll go to the mall or anywhere, and lots of people will recognize me, and I'm like, 'Oh, wow, this is actually a thing now; this is happening.' It can get a little bit crazy at times, but I love meeting people, and people shouldn't feel scared to come up to me and say 'Hi.'
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
I examine it [pain] every which way. Why do I really feel this way? What's going on here? I have to really explore it all the way out, drill it down to its lowest common denominator and go, Oh! That's what that is. I'm feeling insecure. Or, Oh! God has something better for me.
When I opened Chanel in London, they were happy. People would go, 'Oh, I just came in to see it. It's so beautiful.' And you leave with a positive attitude toward the brand. Now, you don't really get that online. You don't go, like, 'Wow.'
Picking roles, my way of choosing them is vastly different now than it was a long time ago, but I can only be that way now because of what I've learned from the past. So I'm choosing now not to choose any work, because when you've had such a nice ride, unexpected rides and fulfilling rides, you really don't want to take a step backwards. It's really made me satisfied in a way that I wasn't looking for, but I was blessed with it and now I feel really full, in a good way, where I don't need to rush out and go find something.
When I watch movies or TV, I am like, 'Wow that guy is really cute, I really like him,' but I don't really have one person that I would die to go to something with. There are so many hot guys.
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