A Quote by James Weldon Johnson

As yet, the Negroes themselves do not fully appreciate these old slave songs. — © James Weldon Johnson
As yet, the Negroes themselves do not fully appreciate these old slave songs.
The slave-breeders and slave-traders, are a small, odious and detested class, among you; and yet in politics, they dictate the course of all of you, and are as completely your masters, as you are the master of your own negroes.
I love songs but am inhibited to have my characters burst out to express themselves through songs. I use the route of using old songs at the right places.
Only those who see themselves as utterly destitute can fully appreciate the grace of God.
The exhaustion of old age is something people who are younger don't fully appreciate.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
Let not the 12 million Negroes be ashamed of the fact that they are the grandchildren of slaves. There is dishonor in being slave-owners.
In the Constitution of the United States, Negroes are referred to as fellows although the word 'slave' is carefully avoided before the thirteenth amendment.
He who would be no slave must consent to have no slave. Those who deny freedom to others deserve it not for themselves and, under a just God, cannot long retain it.
During the whole month that negroes were being beaten by police and washed down the sewer with water hoses, Kennedy and - and King was in jail begging for the federal government to intervene, Kennedy's reply was, "No federal statutes have been violated." And it was only when the negroes erupted that Kennedy come on the television with all his old pretty words.
I first saw the island of Noirmoutier when I was two weeks old. I think it's probably safe to say that I didn't fully appreciate it at the time; but I grew to love it as year after year I spent holidays there at my grandparents' cottage.
The thing about Bob Dylan's performative essence is that he keeps singing these old songs as well as the new songs, and the old songs become new with new arrangements and new contexts as time goes by.
Then the musical instruments appeared. Dad’s snare drum from the house, Henry’s guitar from his car, Adam’s spare guitar from my room. Everyone was jamming together, singing songs: Dad’s songs, Adam’s songs, old Clash songs, old Wipers songs. Teddy was dancing around, the blond of his hair reflecting the golden flames. I remember watching it all and getting that tickling in my chest and thinking to myself: This is what happiness feels like.
It is precisely because education is the road to equality and citizenship, that it has been made more elusive for Negroes than many other rights. The walling off of Negroes from equal education is part of the historical design to submerge him in second class status. Therefore, as Negroes have struggled to be free they have had to fight for the opportunity for a decent education.
Over the years, I've heard pop artists do some Christmas songs, and I haven't fully cared for them. They weren't the traditional Christmas music that I was raised on and love. Thinking of that, I wanted to make my songs mimic the classic Christmas songs.
Nostalgia is one thing. It's great to go and play the old songs. People know them and appreciate them. You got to give them what they want to hear.
I have lived among negroes, all my life, and I am for this Government with slavery under the Constitution as it is. I am for the Government of my fathers with negroes. I am for it without negroes. Before I would see this Government destroyed I would send every negro back to Africa, disintegrated and blotted out of space
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