A Quote by James Welling
There is a narrative behind every image. I often imagine being able to see the photographer standing behind the camera, or perhaps crouching or running with it.
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We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see.
I've discovered that being behind the camera is more fascinating. If I had to choose a profession today, it would have been something behind the camera.
I really enjoy being behind the camera. A ton of projects I've done that are my most favorite projects would be where I actually executive produce and I'm behind the camera.
I'm just standing behind the Black Lives Matter movement. I stand behind it and support it. And I feel I have a voice and a platform to be able to push it and that's what I'm going to continue to do.
My McQueen particularly was hard to make, because my father was dying. I see it, and I see my confusion, my pain, my everything. I thought that it was really interesting to be able to put the people from behind the camera in front of the camera as they make it.
I was a photographer. That's how I began my career, behind the camera.
I can only speak from my own personal experience, being behind the camera and in front of it, but every magazine cover you see is completely airbrushed.
Life is about committing ourselves on a daily basis to the best in us. Freedom is a state of mind. Freedom is an attitude. Freedom is a spirit. You may be behind bars, but you still have the capacity to be free. I've visited some people behind bars who are freer than Negroes I see running around every day. Being in jail, or poor, or uneducated doesn't determine how free you can be. There are really only two types of people. Either you're running scared or you're running free. I choose to run free, and you can, too, no matter what your circumstances in life.
... I think it is fair to say that all war photographers hide behind their cameras. I hid behind mine for years and years and years. It was a shield... I think that the photographer in combat has a greater protection than the soldier who has a rifle in his hand. That camera has unbelievable protective power.
For pilots sometimes see behind the curtain, behind the veil of gossamer velvet, and find the truth behind man, the force behind a universe.
I've hidden behind the camera my whole life because I much, much, much prefer shooting. Being behind the camera is my safe space, and it's my creative space, too.
When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.
Being behind the camera you have control; you have the ability to make decisions for characters, for where the story line's going to go, how you want to put it out there, how you want to edit it. Acting is like where you paint on the canvas, and being behind the camera is like being either the paint or the paintbrush. They're both a part of the creative process, it's just that they have two different functions.
If I can be in a place where my image is encouraging people to see different people behind the camera, and my image and the images I make can help open up a certain world view, I think that's all a part of a larger spirit of change and progress, and I'm happy to be part of it.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
I think the perception of me can be, you know, confused. But that's only because people only see that side of me when I'm at work, in front of the camera. So they don't see Miranda at home; they don't see behind the scenes. They see the glamour of it all but they don't see Miranda standing barefoot in a dirty old house.
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