A Quote by James Westphal

It's magic. All of a sudden, the idea just pops up. Who knows how? — © James Westphal
It's magic. All of a sudden, the idea just pops up. Who knows how?
I don't really know why an idea comes to me. But all of a sudden, an idea comes and from experience I can intuit what something means when an interesting line pops up. Or I can intuit what an interesting choice might be. And I can try a couple of different choices, and see which one feels right, and then continue the song to see where it goes.
When two people meet and fall in love, there's a sudden rush of magic. Magic is just naturally present then. We tend to feed on that gratuitous magic without striving to make any more. One day we wake up and find that the magic is gone. We hustle to get it back, but by then it's usually too late, we've used it up. What we have to do is work like hell at making additional magic right from the start. It's hard work, but if we can remember to do it, we greatly improve our chances of making love stay.
I always enjoyed the feeling of being onstage - the magic that comes. When I hit the stage it’s like all of a sudden a magic from somewhere just comes and the spirit just hits you and you just lose control of yourself.
Men are four; He who knows and knows not that he knows. He is asleep; wake him. He who knows not and knows not that he knows not. He is a fool; shun him. He who knows not and knows that he knows not. He is a child; teach him. He who knows and knows that he knows. He is a king; follow him. The heights by great men reached and kept Were not attained by sudden flight, But they, while their companions slept, Were toiling upward in the night.
I don't know why he [Darren Star] is so good at writing for women. Maybe he just likes women. I'm not quite sure what the magic recipe is, other than he just knows how to entertain an audience, and he knows when to be gooey and sweet, and when to be provocative and naughty.
You think that it’s not magic that keeps you alive? Just ‘cause you understand the mechanics of how something works, doesn’t make it any less of a miracle. Which is just another word for magic. We’re all kept alive by magic, Sookie. My magic’s just a little different from yours, that’s all.
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
Yet magic is no more than the art of employing consciously invisible means to produce visible effects. Will, love and imagination are magic powers that everyone possesses; and whoever knows how to develop them to their fullest extent is a magician. Magic has but one dogma, namely, that the seen is the measure of the unseen.
In the end nobody knows how it's done — how art is made. It can't be explained. Optical devices are just tools. Understanding a tool doesn't explain the magic of creation. Nothing can.
Unfortunately, I don’t actually don’t have any scenes with Michael Bolton. There’s an exposé done on Sue Sylvester, and he pops up on the screen to basically just say he has no idea who I am. That’s the father of my child!
John Doyle just knows how to feed actors, and what comes out of us, good, bad, right, wrong, doesn't matter. There's no fear or censure. He opens up the creative goo and all of the actor vessel stuff. He knows how to do it. It's just incredible.
I grew up with my moms and pops. Pops was in jail for, like, three years.
I always have a big idea. It pops up every two to three years.
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
I don't get offered many dramatic roles. As soon as my face pops up in a movie, everyone knows I'm the funny guy.
[My work] just develops and develops, and I'm very nicely served by the universe: just as I'm ready to take the conversation further with myself, some other individual pops up, like David McKenzie did, with this idea of making this film [Teknolust], and provides exactly the leap to the next adventure.
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