A Quote by James Wolcott

Feature-length film comedy is harder to pull off than the episodic sitcom - it doesn't have the same factory machinery up and running, teams of writers putting familiar characters through permutations - but that doesn't explain the widening quality gap that makes movie humor look like a genetic defective.
When you develop an entire feature length film from scratch the challenge is developing an entire feature length film from scratch! - the world and all of it's characters need to be created. There is no story/plot - all you have is a blank sheet of paper.
Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film.
The emptiness was intense, like the stillness in a great factory when the machinery stops running.
Mmmm... the comedy that matters is the comedy you pull out of thin air. It's a bit like when something funny has happened and you try to explain it to someone else and end up saying, 'You had to be there'.
Mmmm... the comedy that matters is the comedy you pull out of thin air. It's a bit like when something funny has happened and you try to explain it to someone else and end up saying, 'You had to be there.'
I laugh a lot in horror films. If I'm scared in a horror film, I try to think about what's scaring me... particularly, if it's a bad movie, but something they're doing still works. It's the same way I look at comedy. I've always had an intellectual view of comedy, and what makes people laugh, and how does it work.
I look at all of world mythology and folklore as my toy to play with. There are just so many characters and creatures there I want to put on paper. It's a really exciting thing for me to take material that I really love and put a new coat of paint on it and present it to this audience. And I don't have to make up any of the characters. I can just pull a book of mythology off the shelf and say, "I'll use this guy." I also hate making up names for fantasy characters. I'll just flip through these books and say, "Wow, this is way crazier than anything I could make up".
Acting in a sitcom or a comedy movie is like a comedy routine with the setups.
The East Coast, and certainly Boston, has a provincial quality to it that makes it harder to bust out and move up. Try to be too different and they'll pull you down.
I think comedy's harder to pull off on the screen than on the stage, anyway. Tragedy is easier on the screen... oddly enough.
I want to do more independent film. I'm blessed to be working on really quality episodic television, which to me actually feels like a sort of 13-hour film.
The humor is essentially dark for a cartoon and sophisticated. But at the same time, being a cartoon gives the writers more freedom than in a normal sitcom. It always pushes the line that, despite human failings, the Simpsons are really decent people.
I don't play comedy as comedy. That would be the biggest trap. I think about the characters and their situations. Then you don't have to worry where the laugh is going to be. But comedy is harder than drama.
I went through a period when I felt my film characters were having more fun than I was. It might partly explain why I ended up tattooed or doing certain extreme things in my life.
What is the best way to look for one´s chief feature?" someone asked. Simply see yourself. I do not know how to explain it better. It is possible one may find something -- chief feature of the moment. It is imaginary personality; this is the chief feature for everybody."Can one alter one´s chief feature?" asked someone else. First it is necessary to know it. If you know it, much will depend on the quality of your knowing. If you know it well, then it is possible to change it.
I've not had any interest in running a movie studio, but I want to make one feature film.
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