A Quote by James Wolcott

Bad acting comes in many bags, various odors. It can be performed by cardboard refugees from an Ed Wood movie, reciting their dialogue off an eye chart, or by hopped-up pros looking to punch a hole through the fourth wall from pure ballistic force of personality, like Joe Pesci in a bad mood. I can respect bad acting that owns its own style.
We have so much access to one another through technology and everything else, that we're very much used to people being real. When folks go on TV and they're basically acting - if they were good actors they'd be acting and paid for it for a living, but they're not good actors. When we see bad acting, it doesn't look like bad acting, it looks weird, and we are turned off by it. I'm not talking about anybody in particular, that's just politics right now. This generation, I feel like, has incredible bullshit detectors.
You can only be in a bad mood for so long before you have to face up to the fact that it isn't a bad mood at all; it's just your sucky personality.
Bad acting, like bad writing, has a remarkable uniformity, whether seen on the French, German, or English stages; it all seems modeled after two or three types, and those the least like types of good acting. The fault generally lies less in the bad imitation of a good model, than in the successful imitation of a bad model.
Faked enthusiasm is worse than bad acting - it is bad acting with the intent to deceive.
When we went to see the first rough cuts of 'Merry Christmas, Mr Lawrence,' I fell to the floor because my acting was so bad. I wrote music to compensate for my bad acting.
I'm happy to say that I have not been fired off a film. The score is usually the last thing to be done. So a lot lands on the scores shoulders. A lot of problems that seem to have nothing to do with the music gets blamed on the music , because it's relatively cheap to change, where as a reshoot etc is not. Music is often expected to help or fix bad cuts, bad acting, bad filming, bad timing, you name it.
Acting like everyone who's been successful is bad and because you're rich you're bad, I don't understand it.
When you're acting, playing the bad guy, you get a chance to open up this box inside and look at all the bad things that you've got in there.
For me, I need to be able to show up on set and fart around and goof around. If I can have that, when I'm not acting, then when I'm acting I can go however deep and dark and bad I need to. I developed that more with 'Breaking Bad' because I've never worked on anything as dark for as long.
I had given thought to acting, but I never really had a good enough opportunity or a character who made sense and paralleled my life a little bit. I feel like I'm one of the poster boys for a bad guy in a movie. I feel like I'm a good person to play a bad guy in a movie. I can say that.
Just because we're on schedule is no reason to shoot bad acting. Someone once said to me, 'You're inconsiderate.' And I said, 'Inconsiderate? Bad acting is the ultimate inconsideration.' It's a collective slap to a million faces at the same time.
I was a bad student. I liked archaeology actually, I was interested in maybe becoming an archaeologist but I was such a bad student and had such bad grades that I wasn't going to get into any really good college so I fell back on acting.
I'm in a mood, Dave. A bad mood, a very bad mood! I was fired from my ice cream truck job today! No more Fudgicles!
When I'm in a bad mood, I feel better listening to someone else who sounds like they're in a bad mood. That was especially true when I was a kid, and I was mad at my mom or dad for whatever reason.
It's easy for me to play bad guys because it's a very linear acting. Bad guys aren't empathetic. Being a bad guy is great because you're not friendly and you don't have to do much with your face.
With stunt guys, you can punch them in the face because it's, you know, just part of work. You feel bad about that but not as bad as if you punch another actor.
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