A Quote by James Wolcott

Truman Capote was a pop figure, but it wasn't until he went on David Susskind's show and had that extraordinary voice and manner that everyone could imitate, that he really took off as a figure.
The whole ecosystem of celebrity has broken down for writers. If you go back to the '50s, '60s, and '70s, writers were on TV a lot, and they were allowed to misbehave a lot. Truman Capote was a pop figure, but it wasn't until he went on David Susskind's show and had that extraordinary voice and manner that everyone could imitate, that he really took off as a figure. Norman Mailer and Vidal, the same thing. The bestselling writers now, there's no great animal energy with them.
If you start off as a fearsome figure in pop culture, it's almost axiomatic that at some point, years under the lights softens you into a cuddly family figure.
When I did my first few television specials, my illusions were so advanced that it took a couple of years before the other illusionists could even figure out what I was doing, let alone try to imitate me.
Truman Capote is really an interesting cat.
When we developed the 'Seinfeld' show, we took a bet on Jerry Seinfeld, who was not a household name. But Jerry had a voice. He was appearing on 'Late Night', on 'The Tonight Show', had some commercials out there, his voice of observational comedy, looking at the world around him, that voice was really starting to come into its own.
I was a 'learn by doing' writer - I never took any formal writing classes. So it took a long time to figure things out and find my voice.
I want to get a handle on the music. There's only so much you can do alone. I want everyone else there. I can't wait until we feel we've got it down and we can really figure out what it's all about! I can't wait to meet Harvey Keitel, too! I'm so used to working with musical theatre people... I'm really curious how he works. He's the only one that doesn't sing in the show - he acts and weaves himself through the show as the ring-master. I hope I learn something from him.
To make 'Sound of My Voice,' we had to conceive the entire world and understand it holistically. If you want to show less in a movie, you've got to figure out more.
A slick way to outfigure a person is to get him figuring you figure he's figuring you're figuring he'll figure you aren't really figuring what you want him to figure you figure.
And the fact that I liked to show off and be the center of attention really lends itself to figure skating very well.
He's always been tough on me, but I've had to figure out when he's being a coach and when he's being a dad. Once I figured that out, it was much easier. It's definitely tough, something that took years to figure out. Just knowing he was looking for what's best for me, not just yelling at me as a parent. It took maturity.
It took me a while to figure that out and to realize what a gift that I had been given. And when I finally did, I dedicated myself to be the best pitcher I possibly could be, for as long as I possibly could be.
Work hard and figure out how to be useful and don't try to imitate anybody else's success. Figure out how to do it for yourself with yourself.
But here's the deal: If I were smart, I could figure out curling. If I were even smarter, I could figure out why people would actually watch other people doing it. I have tried. I can't. I can't even figure out the object of the game. Is it like darts? I just don't get it.
The camera can represent flesh so superbly that, if I dared, I would never photograph a figure without asking that figure to take its clothes off.
I am the heterosexual Truman Capote.
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