A Quote by James Wolk
I had such a broad array of classes, in improvising, in clowning, in Shakespeare. It was so great to just be inundated with all that.
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I think you still have a problem here when you're going and you're looking not just that Trump is winning, but he's winning in a broad swath of voters. It's not just that he's got this one lane, oh, he only wins when there's low turnout, he only wins when conservatives, he only wins in these kinds of states. He wins enough across a broad array.
When I was doing Shakespeare and I had spent a lot of time and effort in trying to become a great Shakespearean actress. That was how I started my career, was in the theater doing Shakespeare. And my ambition was to be a great classical actress. That was what I wanted more than anything. So, I really pursued that in the first four years of my career. And it was an uphill struggle. It really was. Shakespeare's difficult and Shakespeare in a big theater is even more difficult. So, anyway, it was a struggle for me.
Unlike cheap stocks, inexpensive asset classes have a lower chance of big drawdowns (broad asset classes don't go to zero) and a higher probability of average or better returns.
I took a couple of classes in clowning, but that was more like Lucille Ball kind of slapstick, not Ringling Brothers. But we had to do things silently, and the teacher would do this running commentary. 'Does this make Clown sad? Oh, Clown doesn't like that, does Clown?' Always 'Clown.' Never a name.
A puppet that starts to improvise badly is almost funnier than the puppet that's improvising well. So the show gets better when the improvising is really good, but also the show can also sometimes get better when the improvising sort of goes a little wrong and that's sort of a blessing to improvising with puppets.
I think Shakespeare is like a dialect. If I heard a broad Scots accent, I'd probably struggle at first but then I'd start to look for words I recognise and I'd get the gist. I think Shakespeare is like that.
My parents were not at all backstage parents. We had none of that in the family. It was just very clear right away that I was an actor, even from 4 years old. I've never waited a table. I taught some - I'll teach classes in improv or Shakespeare, but there's some motor in me that needs to do that.
To advance from a nuanced dissent to a compelling vision, progressive policymakers should turn to the great mainstay of twentieth-century U.S. foreign policy: liberal internationalism... (which) should offer assertive leadership - diplomatic, economic, and not least, military - to advance a broad array of goals.
I had a very bad first experience of Shakespeare at school, and, now I'm determined to put that wrong right and just make Shakespeare as vivid and live as possible.
I was in acting classes from the age of 9, dance classes, music classes - my mom put a lot of energy and attention into me, so no matter what happened in my life, I always had this basis of discipline. So I really worked hard for everything I had from a very early age.
I had a really nice association with Richie DeRosa, a great musician, a great drummer and composer and arranger. And I had a number of classes with him.
My favorite play is Hamlet. It was my first love when it comes to Shakespeare, and I've read it and seen it performed more than just about every other Shakespeare play. I've had the "To be or not to be" monologue memorized since I was 15, and it's just really close to my heart.
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
I think working on Shakespeare was a big part of my time at drama school. I'm so glad that I got to know Shakespeare and got a chance to play great parts in Shakespeare, because it really teaches you - or taught me, anyway - everything.
Personally, I had a great education. My mum was a trained teacher, a Montessori teacher, and I know that I could not have written 'Eragon' if I had gone into a public school system because I would have just been too busy attending classes and doing homework - I wouldn't have had the time to write.
Shakespeare is one of the reasons I've stayed an actor. Sometimes I spend full days doing Shakespeare by myself, just for the joy of reading it, saying those words... I do Shakespeare when I am feeling a certain way.
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