A Quote by James Woods

The press is like a big bass, you just stick a hook in their mouth and they'll take it. — © James Woods
The press is like a big bass, you just stick a hook in their mouth and they'll take it.
It would have been easy to try to make 'Opus Eponymous II' and just stick with a routine. But it just felt like, if this is going to go anywhere, we need to take big steps every time.
Anglers have a way of romanticizing their battles with fish and of forgetting that the fish has a hook in his mouth, his gullet, or his belly and that his gameness is really an extreme of panic in which he runs, leaps, and pulls to get away until he dies. It would seem to be enough advantage to the angler that the fish has the hook in his mouth rather than the angler.
If your concentration is getting bad, take up bass fishing. It will really improve your ability to focus. If you aren't ready when that fish hits, you can't set the hook.
Last time I saw a mouth like that, it had a hook in it.
The stuff that I make and the things that I talk about, you have to listen, so if the beat is doing too much, it's going to take you away. If the hook is too distracting, it's going to take you away. The hook just needs to be enough to get you from one verse to the next.
Even a Menno sheltered from the world knows not to stick her tongue into the mouth of a boy who owns an Air Supply record. You might stick your tongue into the mouth of a boy who owned some Emerson, Lake and Palmer, but you would not date him on a regular basis, or openly.
I just think that playing bass, like punk rock bass with a pick, wasn't meant to be done for 25 years.
I feel like I just grabbed a big juicy worm with a right sharp hook in the middle of it.
My dad taught me to play bass. He's a bass player; he still plays in a band in Michigan to this day. He taught me to play bass when I was about 6. I used to just go to band practice with him, and whoever didn't show up for rehearsal that day, I would take their spot.
Hip-hop was a big part of my life growing up, especially West Coast gangster rap. The reason I was able to listen to it so freely was that my mom couldn't hear any of it, so we would be driving along just blaring Too $hort's horrible misogynistic stuff, and my mom would just turn to us and say, "This is great. I can feel the bass. It sounds so nice." And we're like, "Yeah, mom. We can feel the bass, too."
I wouldn't want to hear Beethoven without beautiful bass, the cellos, the tuba. It's very important. Hip-hop has thunderous bass. And so does Beethoven. If you don't have the bass, it's like being amputated. It's like you have no legs.
I just like to catch fish, I don't care if it weighs half a pound or 10 pounds. But I can't do a lot of casting. I can work a jig or a worm. But not for long, especially if the big ones are biting. Those big bass will make it hurt after a while.
I'm a bass player and I'm a drummer - I'm a big fan of bass players.
My plat de resistance is potato salad with garlic and olive oil which we press from the olives from my trees in the grounds of my home near St Remy de Provence. I have four hectares and take the olives down to the local community press at Maussane les Alpilles. I don't produce big quantities; it is just for the family and friends.
What the press hasn't realized is that I'm just a big kid showing off, and you've got to treat me like that. You know, you don't make big kids accountable.
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
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