A Quote by James Young

I don't know, I think the crowds are even more responsive now because the audiences are skewing younger. — © James Young
I don't know, I think the crowds are even more responsive now because the audiences are skewing younger.
As far as I'm concerned, the more power we push back to the patient, the individual, the American citizen, the more responsive the system is to her needs. 'Obamacare,is responsive' is like a hammer is responsive to a piece of glass.
I want studios to be financing director-driven, auteurist cinema, as they did in the '70s. I think it's starting to happen now. Plus, because of how our world has changed politically, I think audiences are demanding more realism. We need to have more stuff in our culture about what is really going on right now.
I know that I am old, because even if I think I'm younger than everyone - but that's true - my way of hoping and continuing is that I am always in a younger position than the other one.
When I was younger you think you know it all and after games you probably just go for some food or sit on your PlayStation. Now I take it a lot more seriously and recover properly because I know I need to give myself the best possible chance to be as fresh and as fit as I can for the next game.
I think when I was younger, I strived for perfection. And now I strive for my imperfections because I think they're more interesting.
I've got more energy now than when I was younger because I know exactly what I want to do.
I think kids need to watch 'Supergirl' for Nia, because there are more and more trans people coming out younger and younger.
I think I'm even more open and more giving as a father now. I pay more attention now because I value it more and I'm less caught up with my career.
Movies are a hobby for me. I think storytelling has reached a new level where younger audiences are looking at something more real and contextual.
Email is having an increasingly pernicious effect. Not only is it having a perceptible effect on productivity, it's skewing what it is we focus on. The immediate increasingly crowds out the important.
I think that my early poems were probably more concerned with time passing because of unfulfilled desires or yearnings. Now, I feel younger than I felt when I was a young old man. Now I want to live as long as I can.
As you get older and you realize you really don't know as much as you think you know, you listen more. Because then you think, now I need to be more receptive to the things I don't know. That's how you learn.
When I was younger, I didn't know who a lot of those people were because I couldn't watch any of their movies. I actually get way more starstruck now. I think starstruck is the wrong word - I get overly enthusiastic about who I work with.
I'll never approach a part in the same way again. Piaf taught me so much. In terms of my work, I think I'll enjoy it even more than before, because now I know that characters truly exist in their own right. I'll have a way to bring them even more intensely to life.
I know, when I was in film school, some of my films were silly, but a lot of them were more dramatic. I don't think I intentionally set out to do comedy stuff. I guess that's a consequence of coming up working with David O. Russell and skewing toward those sensibilities.
I think I just never wanted to be the creepy guy where people say, 'Why do his leading ladies keep getting younger and younger, and why do they think he's so hot even though we know that the girl who's playing this part actually has a handsome boyfriend?'
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