A Quote by Jami Attenberg
I love doing readings. I could really give a crap about reviews. It's kind of about the readers.
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I love doing the readings. The readings are the fun bits... The readings are probably the things that actually keep me going on these. If I couldn't do the readings, I wouldn't do the [signing] tours. I get to stand up there and read to a bunch of adults who in many cases nobody's read to in years, since they were about five. They just squat on the floor. That's enormously enjoyable.
I've always kind of thought that reviews written by readers for readers are a kind of private space between consumers. It's their right to say anything they like about your material, and authors need to know that and respect that. As for my end, I'm aware of what my sales are, so I know that my books are working in the marketplace, at least for now, and beyond that, I have to just do my thing and stay focused.
I love my job, and I love books. I read anything, including cereal boxes. I care deeply about what people think of my books, and I memorize my reviews. I love to hear from my readers.
When I walk into a room in its grey state, I kind of understand what vibe the room should give out when it's done. Sometimes, it's about serenity, sometimes it's about love, it could be about a married couple or, could be about warmth and companionship with your family home, so it depends on the space.
I don't read reviews, and it's not because I don't think I can learn something, I'm sure I could learn a lot. I just that I feel very passionately about the work and especially when you're doing theater, you really only need one director and when you read reviews, you feel like you have twelve, because you respond to them, naturally.
I love stock-car racing and NASCAR. I kind of take offense to anybody who has any cross words about it. It's kind of like your brother. You can talk all the crap you want about him, but you won't let anyone else do it.
There's an evolutionary imperative why we give a crap about our family and friends, and there's an evolutionary imperative why we don't give a crap about anybody else. If we loved all people indiscriminately, we couldn't function.
One of the things I really like about doing work online, and the thing I like about the work I'm doing now, is that I get to meet feminists all the time and I get to read new feminists every day on the blogosphere. And it's really that kind of diversity of thought that informs me more than anything else these days. It's just kind of learning something new all the time. And I kind of love that there's not really a feminist canon; or maybe there is, but it's being changed, that it's a constantly moving canon in the feminist blogosphere. I love that.
I could give a flying crap about the political process. We're an entertainment company.
Because I don't give the studios advanced quotes or an advanced look at my reviews. I think the readers deserve to read my reviews before the studios do.
There are two kinds of hope: the kind you couldn't do anything about and the kind you could. And even if the kind you could do something about wasn't what you'd originally wanted, it was still worth doing. A rainy day is better than no day. A small happiness can make a big sadness less sad.
I was never really that worried about being a member of the Sopranos crew. I think it looks kind of fun to not have to work, to not have to take crap from anybody. And then there's the reality check in there, which is that you do have to work, you do have to take crap from people, and you can fail, and all these other things.
The funny thing is, nationalism only could have come about in Europe after the invention of printing. You could have this thing that was a book in a vernacular language, and you could imagine there were other readers of this book who you couldn't see, but they were a theoretical union of readers who all use the same language. That is kind of a prerequisite for a national fantasy. You need that thing, and it's a strange thing.
But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
When people say stuff to us casually in reviews, if they write about it in a condescending way with really gendered language, that's not really about me. It used to hurt my feelings more than it does now. That's not about us as a band or me as a person. That's about how you feel about women, and that's a societal thing.
At the end of the day, 'Shuffle Along' is about people coming together and making something extraordinary - and history not necessarily being kind to them. It's about the love of necessarily being kind to them. It's about the love of doing, regardless of the consequences.
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