A Quote by Jami Gertz
As a mom, I always feel I have to protect them. I talk about them because they are the most important things in my life but they are private people. I won't use them for my own press.
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I always talk to all the crew. I always make it pleasant. I always nurture a relationship that makes people feel like they're important, like they're a part of the collaboration. I feel that way about the young actors on set. I don't talk to them like I'm the mentor; I talk to them like they're my peers. And I learned that from Meryl Streep.
I've obviously used fans - I wouldn't say all my life, because we couldn't afford them when I was young, but from my 20s and onwards we've had to use fans. And I've always loathed them. Everything about them. The way you adjust them, getting them at the angle you want. Carrying them. Cleaning them. The danger of putting your finger in them.
If you talk about your personal life to the press, you can't be mad at them when they start talking about you, because you invited them in.
It's difficult because you can't generalise about these things. But in essence, you deal with children as simply as you deal with actors - you have to show a certain sort of respect. You deal with them lovingly and protect them, but if you protect them enough then they're open to engage with what you want to do with them.
Think about the most important things in life and set hard boundaries to protect them.
In the end, the most important thing is not to do things for people who are poor and in distress, but to enter into relationship with them, to be with them and help them find confidence in themselves and discover their own gifts.
I suppose partially because of the success of the early movies and things like that, I began to realize, that children do look up to you in some way, and there is a responsibility for how you behave with them. I know that it's important to make them feel very valuable, not to talk down to them.
When people express what is most important to them, it often comes out in cliches. That doesn't make them laughable; it's something tender about them. As though in struggling to reach what's most personal about them they could only come up with what's most public.
I feel like I'm in a privileged position where I get to meet people and talk to them about the most important things in their lives. I appreciate that trust they're putting in me.
You cannot protect the environment unless you empower people, you inform them, and you help them understand that these resources are their own, that they must protect them.
One of the reasons why we started the Green Belt Movement is to work with these ordinary peasant farmers so as to educate them that, despite the fact that they are poor, it is in their interest to protect the soil that they have, to protect the forest they have, to protect the land that they have, because if they don't do it, things can be only worse tomorrow for them for them and for their children.
Most of the time I don't even talk about any direct lineage of songs, because I feel like it just chains them down into my own consciousness, and the whole fun of them is being able to live in others' consciousness.
I think the most important thing is to always be involved in every aspect of their life. To give them enough trust that they can share things with you. I don't want them to be terrified of me, you know? But I don't want them to think they can do whatever they want and get away with it, either, because they can't.
To educate is really the most important thing. To try to reach people that have never understood mental health or had issues with it or people around them who have had issues with it. To just educate them and just understand that Naomi Osaka is not going to pull out of the French Open just because she doesn't want to talk to the press.
There are things that have to be done and you do them and you don't talk about them. You don't try to justify them. They can't be justified. You just do them. Then you forget them.
What I know is the characters in a Southern town. I know the cadence of the language and the voice of Atlanta because I've lived here for so long. And I know the neighborhoods, and I hopefully know the people, and I feel a connection to them. And I also feel like I'm honoring them when I talk about them.
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