I think my movies aren't sentimental. I think my movies are funny and sad and realistic. Not realistic in the sense that they're documentaries, but realistic in the sense that they're not idealistic, they're not optimistic, not pessimistic, and not propagandistic. They're an analysis of a situation. I call it as I see it, so to speak.
The privilege I've had over 15 movies over a very long time has been to make movies that were ambitious or grown-up, complex, that had themes in them that were sometimes political, sometimes challenging, to make these movies on a scale.
There've been a few mother-daughter movies that are somewhat realistic. But the mother-son movies are more comical than realistic: 'Throw Momma from the Train,' 'Stop! or My Mom Will Shoot.' You don't sit in the dark and go, 'Oh my God, that's my mother.'
Honestly, I can't survive without my MAC gloss, pigment - sometimes MAC powder. But definitely my gloss and pigment and liner. I don't do mascara all the time. I do when I wear no lashes. I use the mascara, but when I wear lashes, I don't always do mascara, because it makes it real heavy sometimes.
Basically, it was important to break the belief that commercial filmmakers can't make realistic movies. I broke it.
As a little kid in a sometimes hard place, I went to the movies as often as I could. Movies - making them, seeing them - is not something that could ever lose its pleasure for me. That puts them on a short list of things that eternally give me joy - love, family, food, movies.
Sometimes in movies, I still have to be the hero, but it's not all that important to me anymore.
My favorite movies are movies from the '70s, like 'Midnight Cowboy' and 'Dog Day Afternoon' and 'One Flew Over the Cuckoo's Nest,' and to me, 'Hereditary' seemed like it fit in with those movies, and it was just horrifying. It seemed like it took the things that I love about movies and really fleshed out characters.
I'm a woman of lip gloss. Estee Lauder has an amazing lip gloss line. But I even go as far as to use some Wet 'n Wild, you know, old school! It's kind of like whatever works. I find that with lip gloss, there really is no difference in quality there.
I used to consume a lot of horror movies as a teenager, and some impressed me more than other ones. I would watch Romero's movies, Dario Argento's movies, 'Eraserhead' over and over. 'Possession,' 'Repulsion,' 'Freaks.'
You can shave your head, but I've had to gain a lot of weight for movies, I've had to drop weight really fast for movies. I've had to learn accents or embody physical behaviors or twitches and things like that. And sometimes you take to some things easily and sometimes [not]. That's the challenge of the job.
The movies I watch and the music I listen to and the books I read - those are important to me. It's very important to me, and I don't know what I would do without those things.
There is quite an important director in Germany who I think in the early fifties over here, and then went back, and he said something that's absolutely true. And it's more important to repeat that today than it ever was. Not for you, but for us over there it is important. He said, 'In America they make movies like art, and sell it like commodities. We make make movies like commodities and sell them like art.'
I am a very honest, open person and I think there is a tendency in celebrity autobiographies to gloss over certain things which have happened.
Since being at Marvel, I've been watching everything over and over and over again, all the movies, and seeing how all the movies connect has been very satisfying for me.
In France, it's always about life, normal life. We always stick with these realistic things. So when French people are dreaming about American movies, they go and see the thrillers, and Westerns, and science fiction, huge entertaining movies.