A Quote by Jamie Bell

It's hard to define somebody by one movie. I mean, unfortunately, my entire life was basically made by Billy Elliot. It was kind of created by that one catalytic moment.
The fact is, 'Billy Elliot' is an incredible show, for any age and any gender. 'Degrassi' fans would absolutely fall in love with 'Billy Elliot.'
I've been to London twice. I saw the Broadway show 'Billy Elliot' there - phenomenal. I was crying through the entire thing.
Ive been to London twice. I saw the Broadway show Billy Elliot there - phenomenal. I was crying through the entire thing.
Look: the day I've made a movie that I think is really good, I hope I say it out loud so somebody can say, 'Then you probably made the worst movie of your entire career.'
A movie that makes me cry every time is 'Billy Elliot.' That scene where he's dancing in the hall, and his dad walks in. And the first time his dad can see how amazing he is dancing, but he's so conflicted with kind of his own feelings towards it. Oh, it's so emotional.
'Billy Elliot' prides itself on being a family show, and it made sense to specifically cater to a family audience with an earlier evening curtain time.
I don't think one moment in somebody's life is going to define them.
This is not a movie about smelling the urine! It's another kind of movie." Volker Schlöndorff got Billy Wilder to agree to these conversations - you can buy it - because Volker spoke German at times. And he said to Billy Wilder: "What is in your mind?" And he said: "If you're going to try to tell the truth to the audience, you'd better be funny or they'll kill you." And I haven't forgotten that.
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
He's worked his entire life and he's never lived a single moment, I mean not a moment, in the real world.
You live and die two or three times making a movie. First, you write it, and the first pivotal moment comes when you can get it made. The second is in the process of making it, when the movie reveals itself to you, its flaws and its virtues. Then the most unnerving moment is when that movie is then launched into the world. It’s like bringing your kid to the first day at school and somebody points out that it has bowlegs, it is cross-eyed, or it’s gorgeous. You feel very exposed.
Auditioning is important, and I understand that. If there is somebody making a movie, if there is somebody manufacturing a movie, they want to look at the goods. I get it. I mean, I've been in that position.
'Billy Elliot' embodies the idea that anyone can achieve anything regardless of their socio-economic background.
I've got a role in the new Billy Bob Thornton movie that Billy Bob wrote and is going to direct called 'Jayne Mansfield's Car.' I only have four scenes, but I have as much dialogue as anybody in the movie.
My mom thought I could dance because I used to dance to this Janet Jackson song she'd play when I was a baby. Then she would take me to a Saturday dance school. I used to go every week and got spotted by a scout, who suggested I audition for the role of Billy in 'Billy Elliot the Musical.'
What you learn from that first, and I don't call it 'trial by fire,' I call it 'baptism by fire,' is that you are going to have to take all of the responsibility, because basically when it gets right down to it, you are going to get all of the blame, so you might as well have made all of the decisions that led to people either liking it or disliking it. There's nothing worse than hearing somebody say 'Oh, you made that movie? I thought that movie sucked,' and you have to agree with them, you know?
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