A Quote by Jamie Bell

I don't take any photographs. I travel a lot by myself, and I feel weird taking photos on my own. — © Jamie Bell
I don't take any photographs. I travel a lot by myself, and I feel weird taking photos on my own.
A good print is really essential. I want to take strong documentary photographs that are as good technically as any of the best technical photographs, and as creative as any of the best fine-art photographs. [...] I don't want to just be a photo essayist; I'm more interested in single images...ones that I feel are good enough to stand on their own.
It definitely helps if I can wear a jacket, because I can have a camera in my pocket. When we're on tour or if I go travel somewhere by myself, that's when I take the most photos.
There's a lot of different things that make me want to take photos. A lot of it is, for a long time I've been obsessed with the thought of time travel with my camera.
A way of certifying experience, taking photographs is also a way of refusing it - by limiting experience to a search for the photogenic, by converting experience into an image, a souvenir. Travel becomes a strategy for accumulating photographs.
I've never really been interested in the vintage photos people pay lots of money for -- civil war tintypes or old daguerrotypes of famous people. Nor do I have any interest in the really gross, dark stuff that some people pay top-dollar, like post-mortem photos of babies (yuck) or press photos of old murder scenes or whatever. I collect in these little niches most other people don't care about -- dark-and-weird-but-fun -- and photos that have been written on, which a lot of sellers think hurts their value. All of which is good news for me!
When I think of myself at 15, even 17, I could simply not have done this work on an international level and travel all the time, take care of myself and not feel lost. I feel very happy that this is happening now, and not 10 years ago, as I feel stronger as a person.
I found that while it was interesting to travel around and take the photographs, I would find that I was more interested in the stories behind the photographs. I was more interested in narrative.
What matters most to me is to take photographs; to continue taking them and not to repeat myself. To go further, to go as far as I can.
From taking photographs of George and Charlotte, I have been struck by the wonderful lack of self-consciousness that you see in photographs of children, without the self-awareness that adults generally feel.
I think I’ve said this before many times—that photography allows you to learn to look and see. You begin to see things you had never paid any attention to. And as you photograph, one of the benefits is that the world becomes a much richer, juicier, visual place. Sometimes it is almost unbearable — it is too interesting. And it isn’t always just the photos you take that matters. It is looking at the world and seeing things that you never photograph that could be photographs if you had the energy to keep taking pictures every second of your life.
I write my own blog every day. I do the Twitter every day and the Facebook. Without a gap. I do everything myself: I load my own photographs; I sometimes take my own videos and post them.
During my performances, I don't like folks to take pictures because I feel that we live in a very photographic time. Photography was invented over 100 years ago, and now it's at its peak because everyone has a camera. The fact that they are taking experiences and filtering them through a mechanical lens I find amazing, but also disheartening. Amazing when you have photographs that start revolutions. Disheartening when you have people making photographs but not living.
Maybe it's weird, but I don't feel in any way, shape or form that I'm taking over his show.
I take my camera pretty much everywhere and try to get the most diverse photos possible, since I get to travel to all the greatest cities in the country and see iconic architecture and things like that. I also like racing photos - like motorcycles, cars, stuff like that.
I think of myself as a writer who photographs. Images, for me, can be considered poems, short stories or essays. And I've always thought the best place for my photographs was inside books of my own creation.
It also makes me worry about photos of me that exist that I might not even know about. How do I appear in these unwitting photographs? Who is taking them, without my knowledge or consent, and from where?
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