A Quote by Jamie Bell

My characters are often without a significant parental figure. — © Jamie Bell
My characters are often without a significant parental figure.
Whistleblowers often take very significant efforts to bring us material and often at very significant risks.
Significant things often happen when you are present. Things come to you, and then you respond to what is required. The response very often comes without a premeditated idea of what you want. It is simply a response to the situation.
There's a good amount of research out there that shows generous parental leave policies have a significant positive impact on employee retention and morale.
Most of my writing is an effort, one way or another, to figure something out about myself, and often when I read dialogue between my characters I recognize it as a discussion between two aspects of my own personality, aspects which are too often at odds.
Students typically are at a period of their lives when they're more free than at any other time. They're out of parental control. They're not yet burdened by the needs of trying to put food on the table in a pretty repressive environment, often, and they're free to explore, to create, to invent, to act, and to organize. Over and over through the years, student activism has been extremely significant in initiating and galvanizing major changes. I don't see any reason for that to change.
I just always play these really extreme characters - they've all come with parental guidance stickers on them.
If significant amounts of time go by without suspenseful action - which is often most powerfully motivated by backstory - the story loses momentum, and readers lose interest.
Within a life that seems uncomfortably scripted by family and community pressures, hyper-religiosity can provide a way to break with parental expectations and flee from parental control.
In our family, the men have always stood at the head, true patriarchs that take the lead, teach, and live their lives as examples... Women have a significant role as helpers to our husbands and co-counsels in the parental equation.
An idea has no worth at all without believable characters to implement it; a plot without characters is like a tennis court without players. Daffy Duck is to a Buck Rogers story what John McEnroe was to tennis. Personality. That is the key, the drum, the fife. Forget the plot.
The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
Characters begin as voices, then gain presence by being viewed in others' eyes. Characters define one another in dramatic contexts. It is often very exciting, when characters meet - out of their encounters, unanticipated stories can spring.
There are movies where actors aren't characters but movie stars, being cool beyond belief throughout the whole movie. That is what it is. And we reveal ourselves when we act, very often without noticing. But if I can manage to do a character without showing anything of myself, then that's the ultimate goal for me. No leakage.
The most significant moment will be when we stop referring to the hiring of qualified women (and racial, ethnic and religious minorities) as significant. In other words, when qualified people are hired without regard to race, gender, ethnicity, religious or other differentiating characteristics, that will be the most significant, indeed momentous, event of all.
There's no shortage of orphans in 19th-century literature, but it's hard to find a single happy, communicative, functional parental relationship in the whole of 'Great Expectations,' even among the minor characters.
I moved to Des Moines when I was 15. I asked my mother to give up costody and sign parental rights over to my grandmother, who I lived with while I went to school. I was clean and finally starting to figure myself out. I can only say that now without laughing. I was still very out of my own place, and I didn't even know what that place was. All I knew was that I could write music, that I had no idea what that could mean and that I was still surrounded by people I couldn't relate to. I hadn't found my tribe yet.
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