A Quote by Jamie Blackley

I've played the guitar since I was 12, and just taught myself songs chord by chord. — © Jamie Blackley
I've played the guitar since I was 12, and just taught myself songs chord by chord.
I grew up with a piano, and my aunt taught me chords. I played with bands in high school and I could do like, C chord, G chord, D chord; really simple, rhythm piano.
I wanted to get a guitar [when I was 13] so I could play punk songs because kid taught me power chords at summer camp. He was like, "You could play all punk songs if you just learn this chord and just move it around on the guitar".
I was 16 when I started playing. I borrowed a friend's acoustic guitar, and I had a Beatles chord book. I just taught myself that way.
Then I began to play. Variations on a G major chord, the most wonderful chord known to mankind, infinitely happy. I could live inside a G major chord, with Grace, if she was willing. Everything uncomplicated and good about me could be summed up by that chord.
My songs, they have just the one chord, there's none of that fancy stuff you hear now, with lots of chords in one song. If I find another chord I leave it for another song.
When we do reggae, it's normally a one-chord or a two-chord, or whatever it is. With Sting, there'll be chord changes, key changes.
Once you've developed some technical facility on the guitar, the musical side (which entails theory, harmony, chord structure, ear training, sight-reading, composition and being able to hear chord progressions and licks) comes into play a lot more.
Actually, because I'm so small, when I strike an open A chord I get physically thrown to the left, and when I play an open G chord I go right. That's how hard I play, and that's how a lot of my stage act has come about. I just go where the guitar takes me.
As the chord changes go by, I don't so much think about a static chord voicing changing. I just see the notes on the neck change.
When I was 12, I wanted to learn how to play the guitar, and I found a chord book in a shop, and I stuffed it down my trousers. And that's how I learned to play the guitar.
You don't have to play a whole lot of guitar to be a good blues player. Some people plays too much guitar. Stack it on top of each other the way it don't - you're working too fast. Blues not supposed to be played fast. Blues supposed to be played slow. You could kill a man with just one chord.
You just have to have a song that you're desperate to play along to, and for me it was 'Turn' by the Scottish band Travis. I went to see them headline the Scottish T in the Park Festival, so after that festival, I went home and taught myself all of the Travis back catalog with an old guitar and a little chord book.
The marvels of God are not brought forth from one's self. Rather, it is more like a chord, a sound that is played. The tone does not come out of the chord itself, but rather, through the touch of the musician. I am, of course, the lyre and harp of God's kindness.
I'll just sit at the piano a lot an play like through different chord exercises and kind of just throwing my hands down on the piano from one chord to the next to see what happens.
A scale is just the notes that are in a chord played one at a time instead of together. That's what has allowed me to go through the possible notes that work with a chord and make choices about which ones I like best. I go through by ear; you can do it by theory too, but the best way is to learn by ear.
Matter exploded into being, apparently as chaos, but in fact as a chord. The ultimate power chord.
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