A Quote by Jamie Chung

It's so important to work with material you can really mold and milk and create and evolve. — © Jamie Chung
It's so important to work with material you can really mold and milk and create and evolve.
In music, it makes for a good platform to take time and really mold a piece the way I need to mold it. When it comes to fashion, I create a functional art that moves.
I propose to create a Civilian Conservation Corps to be used in simple work...More important, however, than the material gains will be the moral and spiritual value of such work.
Cows' milk and soya milk isn't good for me. Almond milk and rice milk is OK. I don't really drink alcohol, either. Maybe wine but only sometimes.
You have to create a track record of breaking your own mold, or at least other people's idea of that mold.
Most of what we take as being important is not material, whether it's music or feelings or love. They're things we can't really see or touch. They're not material, but they're vitally important to us.
Milk is a really important part of my diet. For London, I had to be in the best shape of my life, and having milk every day played a part in that.
I had no plan for that year but it wound up being one of the most important years of my football coaching career. It hit me along the way that I needed to really get at the heart of what's really true to myself. And then I was able to mold it and shape it in the years at SC to become the approach and the concept and the culture that we try to create here at Seattle.
Harvey Milk was a friend of mine, an important gay leader in San Francisco in the '70s, and he carried a really important message about how important it was to be visible, how important it was to come out, and that was the single most important thing we had to do.
The second and sometimes most important part of the creative process is performing it live, so that the work can evolve to a different level and it is also important to make that connection with your audience as they are the reason why you make this work in the first place.
The best adaptations are the ones that really excavate the material. The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing and put it into a story.
The human body has no more need for cows' milk than it does for dogs' milk, horses' milk, or giraffes' milk.
I love milk so much! I make a point of drinking a glass of milk every day. So now anyone who did those milk ads with the milk mustaches, they're my heroes.
I always go back to the original material. I want a good connection as the composer and writer of the score to the director and to the source material. It's really important.
I think the challenge of climate change in particular is the challenge for us to create and produce new norms for a new kind of world. And that's why I think as important as the issue of climate change is, it's even more important than it seems because if we can't evolve very quickly, new norms to deal with issues like climate change, we're not going to be able to survive in the kind of world we've created. So I think, really, the whole nature of democracy, of governance, of global community and of solving the kinds of problems of the 21st Century are really at stake.
I want to create a body of work that is really, deeply important to people. One of the vehicles I use is business.
Everyone holds his fortune in his own hands, like a sculptor the raw material he will fashion into a figure. But it's the same with that type of artistic activity as with all others: We are merely born with the capability to do it. The Skill to mold the material into what we want must be learned and attentively cultivated.
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