A Quote by Jamie Cullum
'Tampopo' is a deeply odd film about Japan, ramen noodles, love and sex. It made me very hungry and desperate to travel to Japan. It started my love affair with this amazing country, its culture, its food, its cinema and made me buy my first ticket to the land of the rising sun.
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I really love Japan, and I liked living there very much, and there are so many terrific things about Japan. However, I do think what's amazing is that Japan really prides itself on being monoracial. It doesn't have the same kind of idea as in the U.K. or Canada or the United States, in which the idea of diversity is a strength.
Even now, when I do a slide show of the Geek Squad story, the first slide is a photo of ramen noodles. Because for me, ramen noodles are the international symbol for struggle.
In terms of the culture, you can't beat Japan. It's my favourite country. It's one of those places you never want to leave. I love the people, I love the food, and I love their fashion because they're not afraid to experiment.
I had a long-lasting love affair with the flavors from Japan and the hustling New York street vendors. And, of course, a life-changing return to Ethiopia has made huge impacts on my life in food.
Anyone who's made film and knows about the cinema has a lifelong love affair with the experience. You never stop learning about film.
I have a huge interest in Japan, which is well known, including its history and culture, and so it will be very interesting for me to see and learn more about Japan.
September 11 either made me love this country or it made me realize how much I already did. I think it's the latter. Seeing "Fahrenheit 9/11" made me think deeply about love of country - how it molds us, drives and emboldens us and how it can sometimes make us so angry, we want to shout out to the world: 'No, this is wrong.'
Japan became an imperialist country in many ways, but that was much later, after it had already made big progress. I don?t think Japan?s wealth was based on exploiting China. Japan?s wealth was based on its expansion in international trade.
I do have love for Japan. At the same time, I have a complex relationship with Japan because I'm Korean. But I think it shows the strength of a country when you can talk about the past transparently.
Japan is the most intoxicating place for me. In Kyoto, there's an inn called the Tawaraya which is quite extraordinary. The Japanese culture fascinates me: the food, the dress, the manners and the traditions. It's the travel experience that has moved me the most.
I remember my very first encounter with Japan. At that time, I was Deputy Mayor of St Petersburg. Out of nowhere, Japan's Consul General in St Petersburg came to my office and said Japan's Ministry of Foreign Affairs wanted to invite me to Japan. I was very surprised because I had nothing to do with Japan except being a judoka. This was an opportunity to visit Tokyo and a couple of other cities. And, you know, a capital is a capital everywhere: there is the official script and certain protocol. It is always easier to talk in the provinces, the conversation is more natural.
When I go to Japan and do shows I play for 1,000 to 1,500 people. I like a lot about Japan. Their popular culture and mass commercialization appeals to me.
The film is ambiguous, an ambiguity that reflects on Japan today, and a world in which nothing is clear. Once I made the film [Takeshis'], I realized it was about this feeling of vague disquiet in Japan and in the rest of the world, a feeling that is gaining on us, getting less vague.
Japanese culture? I kind of love everything about it. I love the food. Everyone's really nice. There's just a lot about Japan that's really cool.
I was lucky enough to date my first love for five years. We had a very romantic, very dramatic teenage love affair. And it has impacted me because I have married a man who is simply the grownup version of my first love. So, I believe my first love was just preparing me for the man I'm married to today. And it has also impacted the way I write, because there will always be a love story in every movie I write. Always! I think having a positive first love experience before the heartbreak made me a more confident in who I am, a more confident female today.
I went to the Tokyo Film Festival in Japan because I love Japanese cinema.
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