A Quote by Jamie Dornan

People ask me what Gillian Anderson's like to work with, and I have no idea! — © Jamie Dornan
People ask me what Gillian Anderson's like to work with, and I have no idea!
We loved 'The Crown.' And 'The Killing' and 'The Fall' with Gillian Anderson. All those crime shows are always super fun.
The idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really idolize is a dream for me.
There really isn't a dream role, but there's a dream situation where I could work with a director that I idolize. So, the idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really idolize is a dream for me.
Gillian [Jacobs] is brilliant, and it was Lena Dunham that recommended her. I didn't see her in the part, but Lena told me that Gillian can do anything. It turned out to be true.
I aspire to be someone like Gillian Welch. What she does is play part of a group with two acoustic guitars with harmonies. She plays folk. However, there is no one that sounds like Gillian Welch. I aspire to come up with a unique sound like she has.
And I remember walking in and there was this long, long table with everyone's name cards. I got there really early. The name card on my left said, 'Gillian Anderson,' and to my right was 'Josh O'Connor,' then opposite me was 'Olivia Colman.' I think I must have a picture on my phone of the table because my mind was just blown.
I want to work with Wes Anderson, Paul Thomas Anderson, the Coen Brothers, or Spike Jonze.
Do you have feelings for this kind man?" "You shouldn't ask her such a question," Frances Catherine said. "But do you, Gillian?
I have 60 people working for me in my studio. That's luxury if you ask me. I just dream. Tell those people that I want a certain thing. Those people will then invest days, and sometimes months, in bringing that idea to life. What more could you ask for? That's luxury for me.
Iain's gaze went back and forth between Gillian and Brodick. "Father Laggan's back," he remarked. "And there's another, younger priest named Stevens with him." "Why are you telling me this?" Brodick asked. "I just wanted you to know there are two priests available," Iain explained with a meaningful glance at Gillian.
From the very beginning, I was involved in talking to people, listening to people. And it hasn't stopped. The idea was that people send me information; I'd ask them about it, listen, try to do something about it - and then ask for more feedback.
I'm fairly introverted, but when I do stuff like a Maxim shoot, there's a side of me I call Gillian.
Obviously, my name is known now, but I don't think people generally tend to recognize authors very much. People like J. K. Rowling maybe, Gillian Flynn might be recognized, but I reckon she could walk by me on the street, and I wouldn't know who she was.
There are a few directors as a young person where I was kind of like, 'Well, these are a sure bet.' The Coens, Paul Thomas Anderson, Wes Anderson.
Norbert Blei is a writer the way people used to be troubadours and minstrels, celebrating what he has seen and heart and felt in a deceptively simple style reminiscent of the early Sherwood Anderson. . . . Like Anderson, he is a lover, and his affection invests his writing with a singular charm.
People often ask me if I'm working on a book. That's not how I feel. I feel like I work in a book. It's like putting myself under a spell. And this spell, if you will, is so real to me that if I have to leave my work for a few days, I have to work myself back into the spell when I come back. It's almost like hypnosis.
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