A Quote by Jamie Dornan
To play any character, you have to have a total understanding of why they do what they do.
Related Quotes
A man who is seeking to understand violence does not belong to any country, to any religion, to any political party or partial system; he is concerned with the total understanding of mankind.
I think any role you need to play not so much transforms but I like to think of it as understanding the psychology of another character.
I don't have any single character that is my favorite because I would like to be known for the sum total of my work and not for an individual character that I might have played.
When you call yourself an Indian or a Muslim or a Christian or a European, or anything else, you are being violent. Do you see why it is violent? Because you are separating yourself from the rest of mankind. When you separate yourself by belief, by nationality, by tradition, it breeds violence. So a man who is seeking to understand violence does not belong to any country, to any religion, to any political party or partial system; he is concerned with the total understanding of mankind.
Understanding why we are here, what we are supposed to be doing, relationships, and striving to do more other than play football - when you get understanding like that and apply it, it works wonders.
I'm not surprised that Governor Dean would oppose [the $87 billion to fund Iraq reconstruction].... I've lost confidence that he has any understanding of the national security responsibilities of a President... [b]ecause I don't believe that he has any understanding of the international role that the United States has to play in the world. I think it's a kind of a pseudo-isolationism that appeals to the base of the caucus voters. I do not believe that particularly in the case of Iraq that Governor Dean has any fundamental understanding of what's at stake here.
As an actor you have total rights to privacy and mystery, whatever your sexuality, whatever you do. I don't see why that has to be something you discuss openly because you do something in the public eye. I have no understanding of why we turn actors into celebrities.
Religion, it seems to me, has nothing whatsoever to do with any belief, with any priest, with any church or so-called sacred book. The state of the religious mind can be understood only when we begin to understand what beauty is; and the understanding of beauty must be approached through total aloneness.
Becoming the character you are playing might work for some, but for me, it doesn't. I always maintain a gap between myself and my character because if I will go so deep into it, it will get difficult for me to come back. You should work towards understanding the psyche of your character and then play it.
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
When I was young I thought of friendship as a matter of total loyalty and unchanging preference and I was often disappointed. But as an adult I had come to see that it was more the refraction of some total faithfulness and joy of which we all had some primordial notion. The exchange of trust and the experience of understanding between two people was like a sign or witness to the possibilitity of eternal caring and understanding and communication.
Often, if I read a story and I'm moved, I have an understanding for a character and I don't really know why.
Anything you can do to express yourself is a form of art. That's why I love my craft so much. I always wanted to play other artists. If I can't play an instrument, then I want to play a character that can. There is an artist behind everything, and I think that's beautiful.
The first thing I do with any script is read it and try to visualize if I can play the character - if I can feel what the character's feeling.
I'm quite excited to not play a Xena type character - it's probably closer to me than any character I've ever played.
I'm in this new Showtime series called 'Ray Donovan.' I play this guy Stu Feldman who runs Paramount Pictures, so the total opposite to this character.
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