A Quote by Jamie Farr

If you do eight shows a week it's just too difficult to try to put everything that you can together. — © Jamie Farr
If you do eight shows a week it's just too difficult to try to put everything that you can together.
Broadway's a lot of work, don't get me wrong. It's eight shows a week. You hardly ever see the sunset. I remember when I left, I was like, 'Oh! The sun's setting! I haven't seen that in a year!' Singing eight shows a week is hard.
I'm glad I got to do 'The Last Five Years' and 'Into the Woods,' which are both shows that I just don't think I could have the stamina to do them eight times a week. I just have so much respect for the women who do these vocal roles eight times a week. They're so challenging.
I come from the theater. Nothing is as difficult as working eight shows a week. Period. End of story.
Eight shows a week is daunting, and it can be terrifying. But it just instills such a sense of confidence and growth.
I just never had time to follow sports. When you're working as often as I was, eight shows a week, you just don't have time to develop interests outside of the theatre.
Doing eight shows a week is hard.
I'd love to do Broadway or the West End. I'm sure doing eight shows a week is gruelling, but I did a lot of stage shows in Sydney and I love performing live.
I just try and do my best every day of the week, and not look too far ahead. It's the old Liverpool style - you get it done and everything else comes to you.
When I was eight years old I went to visit my brother who was working on a movie of the week with my mother and I saw how much fun he was having and I decided I wanted to try it too.
When you're doing eight shows a week, you don't have much of a personal life.
I'm a very competitive person, and I always competed with myself. Every year, I'd take six weeks with my band, crew and choreographer to put a new show together. We'd spend eight hours per day, seven days per week putting a show together to beat the last year's show.
I've read a lot of fiction from writers just starting out, and the dialogue is a little bit forced, or it's almost too teenager-y, or too slang-y or putting too much technology or trends in there. I try to stay pretty trend-neutral. I try not to mention too many current bands or current TV shows.
I don't have any complex plans for playing a character. I think all I try to do is not make too many bad guy faces and not ever try to seem too good. I just try to put it in the middle somewhere.
There were radio shows where you actually got to hear people play off of each other and get that immediate magic that goes on. And rather than doing what a lot of shows do, where an individual comes in, reads their part, and you edit it together later on and try to build a performance, we're lucky because this is really very much a theatrical performance that is going on, every single week.
I think I was just trying to coast and you can't coast and try and win at the same time, you know? It'll be three years now since those wins, but the last couple of years I've just really been trying to put my miles in, get them up there to 80 miles a week, 90 miles a week and put the work in again.
People think I'm accident-prone when they see me on crutches, but I do eight shows a week.
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