A Quote by Jamie Farr
Some people came up with story lines where Colonel Potter moves in with Klinger, and we become a 1950s' odd couple. I said, 'Come on, let's do something significant.'
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Verizon had just come out with FiOS, and AT&T had U-verse. We came up with a couple of options, and then our marketing people came in and said, 'What do you think of Xfinity?'
My craziest on-set story comes from during the Goonies, when I came up to Spielberg and said that I wanted to climb the walls of the tunnels and that it represented my mother's womb, for some odd reason. I was reading Stanislawski at the time and Spielberg's response was "Why don't you just act."
I worked the AV counter at the Roland Heights public library in the '80s. My best story from the library was the time a couple asked for a recommendation, and I recommended Raising Arizona and they absolutely hated it. They came back hungry for blood. I was on my lunch break and my boss came out and said, "Hey kid, you need to come talk to these people. They totally hate Arizona." And he said, "Arizona's a dog; nobody gets that movie."
The power of story is potent and that's why historical fiction can be an extraordinarily significant way of teaching people logical truth propositions, moves you along, moves your emotions as well as informs your intellect.
J.K. Rowling said Bellatrix's role was going to be significant in the last one, when I showed some reluctance in playing a tiny bit part. Up front, they said, 'You're very significant in the last one.' But significant could mean a lot of things. That could just mean a significant plot point. Doesn't necessarily equal big part.
For example, it's only about 20 years ago the people in that community would have got telephone lines, and it would be only about in the 1950s that electricity came to that part of the world. Television wouldn't have come till 1970.
Some of the writers definitely got inspired by some of the story lines, but we are evolving in the 'Daredevil' story. So when it comes to 'Elektra', they didn't follow one of her specific story lines, you know. They really tried to capture what comes through the comics, but there's not one specific storyline.
When I came into office, people said, 'Billionaire? How do they live? What do they eat? How do they sleep?' Today, they see me on the subway coming uptown. A couple of people say hi, some people smile and nod. Some people just sleep. It's not an issue.
You couple that with how I looked when I was younger, and growing up... The voice is not quite breaking. It's awful. No, I don't enjoy that at all. But that's one of the things people love and find so endearing about the Harry Potter series, and why they've lasted so long. Because people have grown up with us, and they care about the characters. They're not just some characters in the film, they're people you can relate to, and you care about, and you grew up with, and when they die in this film, people feel it!
I don't think about commercial concerns when I first come up with something. When I sit down at the piano, I try to come up with something that moves me.
Some bloke came up to me in Tesco a couple of years ago at 11:30 pm and said: 'Excuse me, would you mind telling my son here that you're Uncle Vernon?' I said: 'Get a grip. It's 11:30 at night - what's he doing out of bed? I'm not here to entertain people at this time of night.
Some people become so expert at reading between the lines they don't read the lines.
To some extent, the idea that rock 'n roll used to have this sort of free antediluvian identity, frolicking in the 1950s with Elvis or something, is totally wrong. It's insane. Elvis' relationship with Colonel Parker, his manager, was one of the most possibly corrupt, certainly lucrative, and intense business partnerships ever in rock n' roll.
I think acting, oftentimes it's not about lines, it's about spaces in between lines and expressions on people's faces and their relationships. You can tell your own story, or a story that you're interested in, even if the lines don't necessarily point you in that direction.
Come with me," Reyn said. "I want to show you something." Frankly, I had expected something more original. "Really?" I asked, "That's it? That's what you came up with?
Sometimes I'll hear some music in my head or I'll go to the piano and mess around and come up with a tune, or be on the guitar and come up with some chords - or I'll come up with lines, or just some words, or just a sentence. It could be the title of a song. I do that all the time. I write titles of songs a lot. And sometimes I'll end up writing a song that I don't have a title for and I'll say, "Oh, this goes with that title".
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