A Quote by Jamie Foxx

Give it up for Ray Charles and his beautiful legacy. And thank you, Ray Charles, for living. — © Jamie Foxx
Give it up for Ray Charles and his beautiful legacy. And thank you, Ray Charles, for living.
Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.
Ray Charles' revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
Ray Charles revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
How would you define [Bob] Dylan? You can't. That's a true artist. How about Ray Charles? Can you classify Ray Charles? No, you can't. He's just great, period.
I think Ray Charles did as much as anybody when he did his country music album. Ray Charles broke down borders and showed the similarities between country music and R&B.
I love Ray Charles. He can still teach everybody a lot about how to make great music. Not necessarily how to make hits, but how to make great music. Of course, part of it is his incredible talent. Who are the greatest jazz singers in the world? Louis Armstrong, Billie Holiday and Ray Charles.
I would've given my right arm to do something on the 'Ray' film, the movie about Ray Charles.
I got thrown out of music school for even listening to Fats Domino and Ray Charles. I was asked, 'What kind of music do you like to listen to?' and I said, 'Well, I do like Paul Hindemith and Igor Stravinsky but I also like Fats Domino and Ray Charles,' and they literally said, 'Either forget about that or leave.'
When I'm just tryna funk, it's gonna be the Staple Singers, man - Pop Staples. And Ray Charles. Ray could take 'Eleanor Rigby' and make that funky.
Shortly after I moved to Los Angeles, I was looking for work, and I happened to be invited to Ray's studio and sat in and played on a couple of his demos. I didn't charge him a dime for it. I was on cloud nine to be working in the same room as Ray Charles, one of my huge idols.
One day I heard Ray Charles on the radio and I found out he was blind. I thought, 'You know what, if there's room for Ray, there might be room for Jose.'
I don't like that word 'discovery.' ... Sinatra was the first one to call Ray Charles a genius, he spoke of 'the genius of Ray Charles.' And after that everybody called him a genius. They didn't call him a genius before that though. He was a genius but they didn't call him that. ... If a white man hadn't told them, they wouldn't've seen it. ... Like, you know, they say Columbus discovered America, he didn't discover America.
I grew up singing Ray Charles and Jimmy Reed.
I've said the line about Ray Charles a million times, but nobody listens to him singing "I Can't Stop Loving You" and wonders who Ray can't stop loving. They apply that to their own lives. That will happen with my songs.
When you work with Ray Charles, Billy Eckstine and Frank Sinatra, and you tell them to jump without a net, you better know what you're talking about. Thank God I was ready for it.
When I was a kid, I always looked up to people like B.B. King and Ray Charles.
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