A Quote by Jamie Foxx
If I'm in the studio, I'm completely on music. I try to go to that place and that's the toughest thing for me to do. When I'm with other musicians, sometimes I go back to, almost like, childhood, because that's what I always wanted to be.
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I’m not good at talking,” Naoko said. “Haven’t been for the longest while. I start to say something and the wrong words come out. Wrong or sometimes completely backward. I try to go back and correct it, but things get even more complicated and confused, so that I don’t even remember what I started to say in the first place. Like I was split into two or something, one half chasing the other. And there’s this big pillar in the middle and they go chasing each other around and around it. The other me always latches onto the right word and this me absolutely never catches up
Go-go is so drum and Congo based. It's almost like music from Africa. The drums like on 'Planet Paradise' are deeply African-rooted. It's really bouncy and the same speed as go-go music. That's an example of the influence go-go had on me.
I don't want to be too critical of what other people do, but when people go back to do the same thing that they did, I'm completely confused. I'm like, 'Didn't you make that movie already?' I've been very fortunate, and I'm well taken care of, so the least I can do is try to go forward.
One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.
I do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.
I wanted to keep the music very electronic, very filmic, and give it an almost sci-fi like quality. Music is a necessity for me. I go into the studio at least five days a week, every week, so once I had the idea and the template, the process was quick and fun.
When you go into the studio, you have to know what you're going in there for. I went into the studio because I had a voice and I wanted to change things, and I don't necessarily mean my bank account. The money is almost a B factor, a side product.
I always wanted to wrestle, but when you're a kid, how do you do pro wrestling? For me, it seemed like the easiest way for me was to get into amateur wrestling and go that route because it was a place where I was allowed to go.
.. I get more of a dreamy thing from the audience - it's more of a thing that you go up into. You get into such a pitch sometimes that you go up into another thing. You don't forget about the audience, but you forget about all the paranoia, that thing where you're saying, 'Oh gosh, I'm on stage - what am I going to do now ?' - Then you go into this other thing, and it turns out to be like almost like a play in certain ways
Daffy, of course, wants to go on the journey with him but the studio decides they want Daffy back, so Bugs and a young studio executive heroine have to go out and try to bring him back.
It's the first time I have returned to my roots - like going back to be a trio. The fans really wanted me to go back on stage and do the Supremes music, so I went about trying to make it happen. We'll go on tour in the summer.
I always try to go back and check my old stuff. It's like watching the tapes of the game. You want to go back and go as hard as before.
I have this amazing team that I trust. I completely go with their decisions on things. I don't have to go in and micromanage everything. And I think the other thing is, you start to sort of... I wouldn't say relax, because I've never relaxed. But I've tried to have more confidence in the things I like, or the things other people like. That's really the big thing in this job, to second-guess yourself all the time.
When it comes to the music making, that's when we completely are open and just let anything go down in the studio. It's nice to go with whatever's happening. It's really important to just let the music come out of you.
That's how it always is with me: the thing that sets me down to start writing is usually not what I end up doing. Because, as much as I love genre, and I try to deliver the goods, I go off from it. I go do my own thing.
Performing live on stage is such a community, whether it's my musicians or a cast of a show that I'm in. And then when you're in the studio or on set, it's a much more solitary experience. Both can serve me at different times in my life. And when I go back and forth from one to the other, it helps me appreciate all of them much better.
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