A Quote by Jamie Hewlett
When a picture is done, I'm not concerned with it anymore; I'm on to the next thing.
Related Quotes
The critics don't interest me because they're concerned with what's past and done, while I'm concerned with what comes next.
There's always a time in any series of work where you get to a certain point and your work is going steadily and each picture is better than the next, and then you sort of level off and that's when you realize that it's not that each picture is better then the next, it's that each picture up's the ante. And that every time you take one good picture, the next one has got to be better.
I only ever take one picture of one thing. Literally. Never two. So then that picture is taken and then the next one is waiting somewhere else.
Whatever I want, the next car or the next house, I stick a picture of it to the back of my door, so I can look at it first thing in the morning and dream it into existence.
My job is to have new ideas and take risks every day, so I'm always looking forward to the next thing being done or making the next thing that I haven't yet gotten to. That's sort of the constant in my life.
When a thing's done, it's done, and if it's not done right, do it differently next time.
I've always felt you are only as good as your next album or next show. What you've done is done. When you get a gold record, you hang it on the wall, and then it's like, 'Yeah, next?'
The actor is concerned with his own bit of it, but the director's somehow trying to work the whole thing into a much bigger picture. It's like conducting an orchestra.
Just the fact that I've lived more, and I'm not concerned about when I am going to get my next job anymore. This business is free-lance and it's not a steady job. Younger, I would have been more preoccupied with myself.
As you progress towards enlightenment you will find that you become a winner at anything, not because you are so concerned about winning anymore. You are just concerned about the pursuit of excellence.
So whatever I might have started to learn at that age was all undone by the next director and next crew in the next cheap picture, because I was allowed to get away with murder.
Really the truth is just a plain picture. A plain picture of, let's say, a tramp vomiting in the sewere. You know, and next door to the picture Mr. Rockefeller or Mr. C. W. Jones on the subway going to work. You know, any kind of picture. Just make a collage of pictures.
I've always been somebody who, when I started a picture, never knew what the next picture would be.
What I feel is that the picture-taking process, anyway a greater part of it, is an intuitive thing. You can't go out and logically plan a picture, but when you come back, reason then takes over and verifies or rejects whatever you've done. So that's why I say that reason and intuition are not in conflict-they strengthen each other.
He was in his chair in the corner, resting a second before he came out for the next round -- in a long line of next rounds. The thing he was fighting, you couldn't whip it for good. All you could do was keep on whipping it, till you couldn't come out anymore and somebody else had to take your place.
I like working in children's books because it gives rise to such a variety of jobs. One month it may be a picture book, the next a retelling, the next a play, a short story or the start of the next novel.
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