A Quote by Jamie Hewlett
It's not that I never do interviews or that I find them traumatic. It's just that I'm basically not that comfortable doing them.
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It's funny: now we're starting to do interviews, we've just begun to understand what we're doing, whereas before, without doing interviews, we never really thought about motives.
With film, I always sit with people first and talk a while, and then we read or sing or whatever. I never sit behind a table. I get up; I work with them. I do everything I possibly can to not audition them. I can find out the best of them from them feeling comfortable and appreciated. I'd never let someone leave feeling not valued.
As a director, your job can range from having to lean on someone to get a performance out of them, to someone being so built for the part that all you have to do is make them feel confident and comfortable and assured of what they're actually doing, and you just wind them up and watch them go.
You never really meet a human being until you live with them or know them for awhile, so this is my clown and they understand that and so these interviews don't bother them.
People know who you are when you've never met them. For them, through interviews and seeing you perform, they feel like they know you and you've never seen them before. It's really different, but it's awesome.
I wanted individuals who were clearly themselves and I just got to put some clothes on them, but they basically came "done," you know? How they feel comfortable. I just wanted them to walk down the streets of New York and I said, "You know what? Don't even pose, just walk and we'll take pictures."
People always think I hate doing interviews. I don't. I wouldn't do them if I didn't like them.
I'm trying to find new ways to entertain myself because, if my whole world is doing interviews, I might as well put them in places I've wanted to see.
Usually, what happens with women that aren't comfortable with fighting is they're afraid of getting hurt, or hurting someone. All it usually takes to get them going is to make them feel safe, and make them feel like they look cool while doing it. And once they get a little more comfortable, they're gung ho!
Anytime someone basically commissions a piece, I write a song based on something personal to them. I go online and I do research on that person - Wikipedia, YouTube interviews, anywhere I can find a piece of information that kind of tugs at your heart a little bit.
I write songs. Then I record them. And later, maybe I perform them on stage. That's what I do. That's my job. Simple. I don't feel comfortable doing interviews. My profession is music, and writing songs. I like to do it, but I hate to talk about it...Music is spiritual. The music business is not. Being famous was extremely disappointing for me. When I became famous it was a complete drag and it is still a complete drag.
You have guys that are comfortable in certain roles and they've made a lot of money in the role that they've been in, so it's hard for them to change or envision doing something different from what they're doing because what they're doing obviously was giving them a lot of success.
At least I died trying. And I won.I never gave them away. I never hurt them. I did my best to find them. I tried to keep my promise... I die for them.
If you're doing six takes, instead of doing six variations on the same words, why not just throw out the words and make them up as you go along, if you're comfortable with it? It gives the movies a slightly rangier feeling, and more of an accidental feel, but it also makes them edgier.
I think half the battle is just being comfortable in front of the camera - and I already am, doing so many videos and interviews, so then it just takes that extra step of trying to get into character.
They will do more whether we do what we're doing or whether we don't do what we're doing. And the idea that you could appease them [terrorists] by stopping doing what we're doing or some implication that by doing what we're doing we're inciting them to attack us is just utter nonsense. It's just - it's kind of like feeding an alligator, hoping it eats you last.
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