A Quote by Jamie Hince

Being in a band is not about reality - it's a bit of a fantasy. I can't go on stage as my ordinary self and just play - I've got to become my 'superhuman self.' — © Jamie Hince
Being in a band is not about reality - it's a bit of a fantasy. I can't go on stage as my ordinary self and just play - I've got to become my 'superhuman self.'
I read a bit of the Icelandic sagas. They're fascinating in that they are completely ordinary. The farmer will go off into the hills and fight a troll, and then go back and do ordinary things. It's an odd mix of fantasy and reality.
Australian bands are so self-deprecating - then they go on stage and blow every other band off the stage.
I'm seeing myself as an outsider a little bit - definitely when I started the band. I knew what band's name meant and nobody else really did, so I'd be on stage every night and say, "Hello, we're Art Brut" - basically saying that we were rejects. But I mean, I didn't really sing, it did feel a bit like we were outsiders. It was a bit tongue-in-cheek when I first named the band that, but then we slowly turned into that - like a self-fulfilling prophecy.
I began to go into samadhi, not just occasionally, but every day many times a day until I reached a point where I could no longer distinguish between ordinary and non-ordinary reality. For me it is all the same. I am in a state of continuous absorption in the Self.
Being on stage is about self esteem and self confidence.
A weakness of many of the self-oriented play theories is that they often sound too much like vain consumerism instead of being about the more passionate and willful character of human play, which involves a willingness, even if a fantasy, to believe in the play venture itself.
One think that you notice about anyone that gets up on stage is that they don't really have a lot of self-awareness. It's kind of a trait that performers don't have because you just kinda just have to let go and do whatever you want to do on stage.
If you think about what you do, if you become self-conscious about it, you've got to be very careful. Because I really like to write without self-awareness of what I'm doing.
When I talk about self-management, self-regulation, self-government, the word I emphasize is self, and my concern is with the reconstruction of the self. Marxists and even many, I think, overly enthusiastic anarchists have neglected that self.
My book, 'The Total Me-Tox,' is about self-care and self-love and how they lead to success and empowerment. My goal is to encourage women to be their best selves in a warm, friendly way. Think human, not superhuman.
The self...can split off from itself without being less. You are not a mini self, an adjunct to some super-being, never to share fully in its reality... you are that superself looking out through only one eye, or using just one finger.
It's all about self-discipline. Like, self-obsession is connected completely with self-loathing, and it's the same with, if you've got a weight problem. It's all about... finding some worth in yourself, knowing that you've got the discipline to do it, and knowing that other people maybe can't do it. And it's also, I think, really connected to the fact that you almost feel, like, silent, you have no voice, you're mute, there's just no, you've got no option. Even if you could express yourself nobody would listen anyway. Things that go on inside you, there's no other way to get rid of them.
I'm a street footballer. I'm hardcore. Growing up in east London, you've got to be a little bit self-confident. As a player, I would go into detail, watch who I was playing against. Who might come into my vicinity. That gives you self-confidence.
Let each person in relationship worry about Self-what Self is being, doing, and having; what Self is wanting, asking, giving; what Self is seeking, creating, experiencing, and all relationships would magnificently serve their purpose-and their participants!
If you want to build a recursively self-improving AI, have it go through a billion sequential self-modifications, become vastly smarter than you, and not die, you've got to work to a pretty precise standard.
Being on 'America's Got Talent' has really helped me expand my self-confidence on the stage and anywhere - I'm more comfortable, and it's just really helped, and I'm glad about that.
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