A Quote by Jamie Hince
I get excited by being in the studio and could never get burnt out in there.
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I never take anything for granted. I think it's very cool to still get excited about things. I get as excited now as I ever did when I get a chauffeur driven car pick me up and I stay in a fantastic hotel or get to fly in a private plane. I never want to get blasé.
I suppose in some ways that's why my collaborations worked out, because I would go in the studio with such enthusiasm and it would never be a chore for me. I was never itching for the process to be done so we could get out live. It's a different matter for me now. Now I've noticed that I actually have one eye or one ear on how I'm going to do it on stage. And maybe that's because I'm the frontman in the group; I do believe that any good frontman should be impatient in the studio to get out.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
I get scared to death every time I have to play. I always get nervous because you never know what to expect. The crowd could be awful, or it could be amazing. You just never know what you're going to get until you get out there and do it. I just do my best and have fun.
Studio 54 was the place you could never get into. Of course, the place you can't get into is the place everyone is trying to get into.
I'm an electrical engineer, and when I first started out, there was nobody who looked like me out there. I worked at Qualcomm, and I remember coming into meeting rooms, and I could never get the floor. I could never get my opinion across.
I write in the studio, I don't sit around with a piano or a guitar and write songs. I get satisfaction out of that because I can finish the song really quickly. I can use whatever momentum I have. I've got to put it down, develop it, and get it as far [as I can], because the excitement of the moment of when you get that idea - you want to try and hold it and build on it and really gain strength from it. Being in the studio and writing songs like that is really the best way.
It's nice to get home and do normal stuff. Put the rubbish out, do the school run - it means you stay grounded. I knew a horn player who was so used to being on the road that he became institutionalised; he could never adjust to being at home. I'm really glad I didn't let it get that far.
In art, women could never get training. They couldn't get their work out into the world even when they could get training.
I think that we, as writers, get excited by risk. When we are feeling comfortable and familiar, I wouldn't say that we get bored, but the energy in the room gets flat. When we're most excited and when the show is the most fun, it's when we're duking things out.
I still get excited performing live. When you see the immediate reaction from a crowd, its like being a theater performer, its something you can't get from being a writer or being an ad man ... its almost ritualistic.
I'm very thankful that I'm in a position where I'll never be without a session. I'll always have someone who will want to get in the studio with me, or there'll always be someone that I'll wanna get in the studio with.
A lot of people get a high from being onstage. I found ways to enjoy it. But I get it from being in the studio.
I try to relax and enjoy it. I don't really get nervous, I get excited! I love training, but my main excitement comes from when I'm racing and the better the standard of people I'm racing, the more excited I get and the more 'up for it' I get.
I could never be a movie star and get up at 7:30 to be at someone else's studio.
There are some nights where I don't get enough sleep, or we're traveling a lot. And then I'll go do a radio show, and the DJs are usually so energetic. And they're like, 'Why aren't you excited?' I say, 'I am excited. I'm just Swedish. This is my excited. I can't get to an American excitement level.'
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