A Quote by Jamie Hyneman
I really didn't think this was going to be a success. We did the first three episodes and I said to Adam, 'I can't see this going anywhere. I've already used up all my urban legends.'
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So we [with Chris Ellis] did [Fresh Hell], and we did the first five episodes as a lark, just to see if anybody would respond or be interested, and we got enough feedback that was positive that we thought, "Let's keep going with this and see if we can flesh it out a bit this season." We've had 10 episodes, and they've been longer and a little more complete.
People have outs for numbers of episodes, usually, written into their contract. Some studios will say, "We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show." But, that's all business affairs, so I'm talking over my head here.
The explosions, like the urban legends, are a great way of bringing people in to watch, because it's really fun, and you know we're always going to give you a satisfying ending.
I finish the book so I can see how it's going to end. I write that first sentence, and if it's the right first sentence, it leads to the right second sentence and three years later you have a 500-page manuscript, but it really is like going on a trip, going on a journey. It's a voyage.
We had to do something at [a festival in Washington, D.C.]. I remember Chris Martin, by then we all knew him, there were certain people who were regulars. He would say, "Oh, my God, you guys, I think I'm going to throw up." It was a daytime festival, and they went on right after some really heavy band, and he was saying, "I don't think I can do this. I think I'm going to throw up." He was in the bathroom thinking he was going to be sick. He said, "They're going to hate us." In fact, they hated them. They hated Coldplay - did not go over well. His instincts were correct.
One of the things I enjoyed when working in manga was when I couldn't tell where anything was going because there weren't narrative tropes and structures I was used to. After doing it for seven years, I got to the point where I did see structures. I did start to learn, but at first I didn't know where it was going. It was very exciting for me.
I'm going to go do a Netflix series. It's straight-to-series, 10 episodes, probably go for three seasons. I'm going to direct the pilot and hopefully the last episode of the first season. The show is 'Seven Seconds.'
Don't take this the wrong way," Blue replied. Her cheeks felt a little warm, but she was well into this conversation and she couldn't back down now. "Because I know you're going to think I feel bad about it, and I don't." "All right." "Because I'm not pretty. Not in the way Aglionby boys seem to lie." "I go to Aglionby," Adam said. Adam did not seem to go to Aglinoby like other boys went to Aglionby. "I think you're pretty," he said.
I think what you are seeing is Donald Trump is making an amazing first trip. He's going to Saudi Arabia, he's going to Israel and he's going to Rome. Think about that - three of the strongest religions. He's going to go together, talk to all of them. And his message is going to be about unity. He is going to show what American leadership looks like, because those are areas of the world that have questioned it.
The concept of doing holiday episodes is a huge part of what's fantastic about doing TV. And viewers agree; you see the numbers going up for holiday episodes.
I think it's normal that, the first time you meet Federer or Murray or Djokovic, you're going to get nervous. But after a while, they become normal opponents, people you see every week. That's the way you have to think. You can't think of them as legends. When you see someone on court, you have to treat every opponent the same way.
Cursing herself, she said, "I'm going to man up here. I'm going to so be twenty-one. You're not going to believe how tight in the head I'm going to be. Really. For real.
Ron Moore. He was the guy that on our show and Deep Space Nine wrote the best Klingon episodes. He wrote great episodes in general but he wrote the best Klingon episodes. I always could tell when he was going to write a Klingon episode because he was able to grow a beard really quick and I’d see him with the beard, like a Worf-beard, and I go "Ah, Klingon episode coming up!" and he goes "Oh yeah."
Because we're becoming such an urban nation, we're going to need to be producing so much more food in cities. These institutions have members, obviously. They have the resources to start projects like urban farms and gardens, teaching tools, and the ability to educate their members so that they can then go home and start their own urban gardens. I just really think that faith-based institutions can take the lead in creating community-based food systems, and I'd really like to see that happen.
Angelina came up, and as soon as we said hello, I thought, This is going to be great. I'm really going to love doing this with her. And I did. And then I was very excited to do the movie after that.
I really wasn't on the Dallas set much. I did three or four episodes so I didn't see too much.
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