A Quote by Jamie Hyneman
I went to the library - and this was before the Internet - and I searched for a career that was creative, would not fall into a routine, involved problem solving and making things. It also had to be dynamic. I came up with special effects.
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When I figured that I could do anything if I was simply methodical about it. I went to the library - and this was before the Internet - and I searched for a career that was creative, would not fall into a routine, involved problem solving and making things. It also had to be dynamic. I came up with special effects.
I've always been respectful to all the people who do visual effects and special effects, because making movies is also making magic.
On 'MythBusters,' a lot of what we do does not fall into any category of things we have ever done before. There's a lot of problem solving to figure out how to even approach a given problem. A background in science or engineering helps a lot.
There was a library near us in San Francisco. It was the West Portal Public Library. I would ask my father to drive me there at night and pick me up when it closed. I think he was worried about this routine but never let on. Also, I kept this a secret from my friends, as I don't think it would have been considered the 'coolest' habit.
The creative process is probably closest to problem solving, but it differs from it in a number of ways. In problem solving the immediate goal is a specific one ... in the creative process there is no such clear goal.
Chess can open up a kid's brain, and develop it in a playful creative way. They can learn playfully about creative, strategic, and logical thinking, and quick problem-solving.
Nowadays, you can't broadcast dodgy special effects and then put up a caption saying, 'Sorry, this is what the budget was.' You have to do it with high production values because the audience has been spoilt by the special effects on things like 'The X Files' and 'Independence Day.'
If P=NP, then the world would be a profoundly different place than we usually assume it to be. There would be no special value in “creative leaps,” no fundamental gap between solving a problem and recognizing the solution once it's found. Everyone who could appreciate a symphony would be Mozart; everyone who could follow a step-by-step argument would be Gauss; everyone who could recognize a good investment strategy would be Warren Buffett.
Few influential people involved with the Internet claim that it is a good in and of itself. It is a powerful tool for solving social problems, just as it is a tool for making money, finding lost relatives, receiving medical advice, or, come to that, trading instructions for making bombs.
There is a lot of use of ProTools in professional studios, but this is mostly for the special effects it allows, not for sound quality. These special effects soon fall out of fashion, and I don't think this trend will define studios permanently
There is a lot of use of ProTools in professional studios, but this is mostly for the special effects it allows, not for sound quality. These special effects soon fall out of fashion, and I don't think this trend will define studios permanently.
Usually, when special effects get in the way, it's because the story isn't strong enough. If you don't start with a strong screenplay, it's easy to fall back on special effects, thinking it's going to carry you. But it never works. It's just tiresome.
I grew up loving films and making stupid movies with a good friend of mine, who now actually has a career in a really prominent special effects house, so he's still doing it. We just started messing around with a camera.
I was interested in the questions that come up when the Internet gives you access not just to JSTOR libraries and to digital information, but also to things that are live and dynamic and organic in some way.
We came in with the Internet, we came up with the Internet, and I think Secretary [Hillary] Clinton and myself would agree very much, when you look at what ISIS is doing with the Internet, they're beating us at our own game. ISIS.
I come from a cycling background. I happened to be good at it; the opportunities came my way. It wasn't something I necessarily searched to be involved in; it wasn't a dream. I just had an opportunity which you couldn't refuse.
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