A Quote by Jamie Hyneman

One of the main reasons for success on the show is that we're not a demonstration show. We're an experimentation show. — © Jamie Hyneman
One of the main reasons for success on the show is that we're not a demonstration show. We're an experimentation show.
Show me the prison, Show me the jail, Show me the prisoner whose life has gone stale. And I'll show you a young man with so many reasons why And there, but for fortune, go you or I.
My solo show, 'A Lot More Me,' is part drag show, part burlesque show, part circus show, and part fashion show.
I would never want the show to be a Democrat show or Republican show, because for us the show's more important than that. It isn't for everybody else in the world, but it is for us.
Each of us has our own crazy on the show. The show's called 'Crazy Ex-Girlfriend,' but we're going to explore the craziness of everyone on the show... That's one of the attributes of the show I love so much.
I've been in rooms where the creator has sold a show and then felt like the network didn't buy the show they wanted. They bought a show they thought they could craft into the show they wanted.
Coming into my second year, my main thing is to show growth - show that I can be consistent and play at a high level all the time.
You have to show up when your show fails - or it succeeds. When you are enjoying the glory of success, you have to show up and still work hard because it may not last. You have to do your job with the same sincerity when you started and till you can actually do it with passion.
My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated.
My show in Egypt was called, 'The Show,' or, 'Al Bernameg' in Arabic. Basically, it was a political satire show. It started on Internet by three, four-minute episodes, and then it evolved into a live show in a theater, which was something that was unprecedented in the Arab world.
I don't know much about writing a show or being a show-runner on a show, but I can only imagine that when you first cast a show and you first do a pilot, there are so many components that you're throwing into the mix and you're not sure how they're going to develop.
Women are their own worst enemies. And guilt is the main weapon of self-torture . . . Show me a woman who doesn't feel guilty and I'll show you a man.
'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.
'Ragtime' was the most magical show that I've done. I had an incredible experience with that, with the show itself, with the cast, with the audience. The response to that show - my God, it really blew me away, the reactions to that show, the way it changed their lives and altered their thinking, their own self-discovery.
I've met Jon Glaser who has a show on Adult Swim call Delocated and he's the main writer we hired for the show. That's really my brand of humor, I would say.
The only difficulty is that I'm playing to two audiences, and it's too bad the noise detracts from the show, because it's a great show. I've seen my own self out there, and it's a very good musical show. Sometimes the show gets lost in the hysteria and sometimes it doesn't.
A show can be artistically successful; a show can be financially successful; a show can be successful by the transformative experience the audience is having; a show can be successful from the point of view of what is experienced by the cast and the company on a daily basis.
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