A Quote by Jamie Hyneman
When I watch a movie I don't really care too much about the plot - not that it isn't important, but what I remember is the visual imagery, something that happens in an individual scene.
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I'm a visual thinker. With almost all of my writing, I start with something that's visual: either the way someone says something that is visual or an actual visual description of a scene and color.
It's thought that about 96% of us have visual imagery, and there's a very tiny minority in the population, some of whom are normal, some of whom have brain lesions, who cannot produce visual imagery.
I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.
'Rocky' is a movie that just happens to be about boxing. It's really about characters and story lines and relationships and all those things, and the backdrop is boxing. You can go back and watch the final fight in 'Rocky' a thousand times. If you dig that movie, if you like the characters, you'll watch the whole movie over and over.
If someone who is poor says, 'I may not have much money, but for me, what's really important is to have a good television so my family can enjoy and watch,' we should be a little careful and recognize that just like we all have individual liberty to make the choices we want, that we not judge too much on that.
I enjoy 'Life Aquatic.' I think that one, from a visual standpoint, is just such a fun, visual movie to look at, whether it's the shots of the ship cut down the middle, that set where you can see everyone in each of their rooms doing whatever and moving about - something like that, I could watch that on a loop for an hour.
I'm getting older, and it happens. You don't care as much. I don't care about too much anymore. I've got to think about that a little bit.
We care too much about what happens to be there as a result of history. I worry even more that we care too much for the past and not enough for the present and the near present.
Did you ever see Cheech and Chong's Up in Smoke? That's what happens if you really smoke weed and make a movie. You get two guys and no plot and it's basically like, 'Yeah! Let's drive a van made of weed!' And that's pretty much the movie.
If you watch a movie, it never happens that you see a character that is in every single scene.
I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner.
If something takes too long, something happens to you. You become all and only the thing you want and nothing else, for you have paid too much for it, too much in wanting and too much in waiting and too much in getting.
Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.
People love for you to care enough about them to remember their name. It's something I've really worked at. It's important. And it's not easy.
I remember the day I saw my hair was thinning. I don't remember caring much. I don't care. It's just hair. It never bothered me much. I was pretty young, too. And it happened and is happening very slowly. I have a feeling dead people get really mad when we complain about losing hair.
You watch the interview afterwards, and they didn't really say much, but it's interesting, funny, and engaging. Whereas I sit there and look a little bit too serious, and as soon as that happens then you're uncomfortable and you don't want to watch.
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