A Quote by Jamie Parker
For my money, all theatre should be free.
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Giving kids the chance to see live theatre should not just be free, it should be compulsory.
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible.
I started - well, in England it works a little bit differently. You have to do Fringe theatre, which is basically free theatre. You do it in pubs and small theaters and village halls across the country, and you work for a theatre company. You're part of a troupe.
Theatre supposes lives that are poor and agitated, a people searching in dreams for a refuge from thought. If we were happier and freer we should not feel hungry for theatre. A people that is happy and free has need of festivities more than of theatres; it will always see in itself the finest spectacle.
Theatre within theatre, when characters sees themselves on stage, always raises philosophical questions of choice and free will.
When you do a film, you get picked up in a car, lunch is free. Theatre is really hard, and you get absolutely no money.
Theatre is my first love. I don't understand why people say that theatre can't give you money.
After graduating from National School of Drama, I started doing theatre in Delhi. But there was not much money in Hindi theatre.
I should write a musical. That is probably one of the final areas that I should pay attention to, because it does kind of involve everything. It's got theatre, it's got young, pretty people... And it's got money!
My family was bothered because I was a graduate but didn't pursue a job. I used to spend the entire day doing theatre, and at that time, there was no money in theatre.
We're not saying that everything should be free, it should be free and so on, we don't say that it doesn't have to be for free, it just has to be free in terms of freedom.
Television theatre, as is implied in its name, should rely on adaptations of scripts written for the theatre.
Money isn't automatically freedom. You need to look carefully at what you're doing to earn the money before you can conclude that you are, in practice, free. This is a cost-benefit analysis we should all perform on our own lives.
I am essentially someone who comes from the theatre. I love the theatre. Unfortunately, theatre doesn't pay the bills. Only in theatre abroad, I get a wage.
I suppose what's so amazing about working at the National Theatre is that, because it's a subsidized theatre, you're not trying to create a product that's going to have a mass market in order to make the money back.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
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