A Quote by Jamie Waylett

I like producing beats, and I like rapping, too. I have a program for the PC, and I can hook my keyboard to it. — © Jamie Waylett
I like producing beats, and I like rapping, too. I have a program for the PC, and I can hook my keyboard to it.
I like challenging myself. I like the challenge of rapping to fast beats, rapping to beats that are super slow, whatever. I like the challenges, so I'm not afraid to take on any piece of music and create a song to it if it feels right to me.
When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.
I was like 13, 14 years old. I had a Rock Band mic, and I used to record music and put it on YouTube and DatPiff. Then I started getting to producing my own music because I didn't want to keep rapping on beats I was getting on SoundClick.
?fter all the beats and rhymes, I felt like everybody around me was rapping and so I was like.
I play the keyboard, piano - I like making beats.
I was singing R&B before I was rapping, and I never really enjoyed it. But when I started rapping, I was like, 'This is sick - I'm actually alright at rapping!'
The program I use is called MED Soundstudio. It's basically a column of numbers that relate to pitch, duration, the type of sound. If I want to play a chord, I have to press keys on a keyboard - like a computer keyboard, on my Amiga - that relate to sharps and flats, note by note.
I've been rapping on some crunk beats and getting down on the South music for years. I feel like I can do it all.
I don't get particularly precious about things like this, though. Like the record company said, "We need a radio edit that delivers the hook" - I don't even know what they consider the hook in that song ["Oh No"] - "that delivers the hook sooner." So I'm like, "Okay. I see that." And they were all walking on eggshells, like is this going to be sacrilegious to me or something, to mess with this art I've created? And I'm like, "Great. I get to tinker with it, I get to mess with my song some more."
In my home office, I have two large, 30-inch computer monitors - a Mac and a PC. They share the same mouse and keyboard, so I can type or copy and paste between them. I'll typically do Web stuff on the Mac and e-mail and chat stuff on the PC.
I started rapping towards the end of middle school. In high school, with a lot of my friends, we would make beats and just start rapping - beating on the wall, beating on the table and freestyling.
I feel like I've gotten myself comfortable making beats in front of people, so like, if I'm in a big room of people, I'm not like, nervous. I wanna be able to make beats on the spot.
I either write songs on guitar, or... I don't ever have a keyboard with me, but like, my keyboard on the laptop.
It's a fundamental, social attitude that the 1% supports symphonies and operas and doesn't support Johnny learning to program hip-hop beats. When I put it like that, it sounds like, 'Well, yeah,' but you start to think, 'Why not, though?' What makes one more valuable than another?
I played drums since I was 6 years old. And then I got into producing music when I was about 16 or 17. Somebody showed me FL Studios, the program. My beats were bad at first, but then eventually they started to get good.
I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, 'Bet, now I can focus on writing and singing.'
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