A Quote by Jamie Woon

I casually listen to mixes, but I don't know all the names of the tunes and the producers and stuff. It's hard to keep up with. — © Jamie Woon
I casually listen to mixes, but I don't know all the names of the tunes and the producers and stuff. It's hard to keep up with.
Blue grass was the outgrowth of Irish music. As a matter of fact a lot the tunes, a lot of the melodies and the jigs... have different names but are actually the same tunes.
I try to beat back the producers and engineers so they - there's not an excess of stuff used to squeeze my voice to make it artificial. There's a person in there, and people will listen; if they hear another person speak to them, they'll listen because it's lonely out here.
I am by nature not a list-keeper, but I do keep lists of names and add at least one or two every single day without exception. First names, last names, middle names, combinations of. I've collected more over the years than I can possibly ever use in a single lifetime, but I keep the list going nonetheless. I tell my students that it's a habit, an act of attention, that will keep them engaged, keep them thinking about characters and stories, and how that match might get made.
I know for a fact that I have to keep winning and train hard and listen to my coaches.
Names are hard. I have a library of What to Name Your Baby books, and I’m always picking up new books, and books of baby names from other countries. I like cool-sounding names.
I tend not to listen. When I'm listening to records, I don't listen to much new wave stuff, I tend to listen to the stuff I used to listen to a few years back but sort of odd singles.
I do catch myself driving around singing tunes, but I don't know if it's necessarily show tunes.
As you move to the top, remember the story of the pump. If you start pumping casually or half -heartedly, you will pump forever before anything happens. Pump hard to begin with and keep it up until you get that water flowing. Then a great deal will happen.
It's hard to say a favorite song of my father's. I listen to all his stuff - a lot of the old stuff before the '70s.
It's hard to say a favorite song of my father's. I listen to all his stuff; a lot of the old stuff before the '70s.
I'm not into screamo music, but I respect it. It's hard to do, to keep your voice and stuff like that. It's hard to do, so I respect the music. It's just not my favorite to listen to. That's all I want. I just want people to respect me as an artist.
I used to not listen that much, but I've really learnt to listen to other people and to really listen to what they're saying. I've found, especially being on a film set, people have so many different stories; if you just listen, you can pick up so much stuff. I try to listen as much as I can.
I'm not an original composer. The tunes are not stolen from other tunes necessarily except in a few cases, but they're in the style of songs that I grew up with.
Sometimes, especially when you are in the traffic behind other cars, you get a lot of stuff - sand, oil - and if that mixes up that can be very bad for the vision sometimes.
I do very few standards. Hardly any. Other people's tunes that I do are usually obscure tunes, for the most part, although I do a couple of Duke Ellington tunes that are well known.
Some of us are born more than once. Some of us recreate ourselves many times. Ryodan says adaptability is survivability. Ryodan says a lot of stuff. Sometimes I listen, All I know is, every time I open my eyes, my brian kicks on. Something wakes up deep in my belly, and I know I'll do anything it takes... To. Just. Keep. Breathing.
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