A Quote by Jamie Wyeth
The danger, I find, is that you can become too formulaic, like some commissioned portrait painters who develop a methodology.
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Right now, scientists are in exactly the same position as Renaissance painters, commissioned to make the portrait the patron wants done, And if they are smart, they'll make sure their work subtly flatters the patron. Not overtly. Subtly.
Commercial interests with their advertising industry do not want people to develop contentment and less greed. Military interests in economic, political, ethnic or nationalist guises, do not want people to develop more tolerance, nonviolence and compassion. And ruling groups in general, in whatever sort of hierarchy do not want the ruled to become too insightful, too independent, too creative on their own, as the danger is that they will become insubordinate, rebellious, and unproductive in their alloted tasks.
There are, of course, always painters whom I admire and find fascinating. I've often thought, 'Goodness, if I could paint like the Danish Golden Age painters, the early 19th century painters, the way they could paint a landscape - absolutely beautiful.'
There is danger for the eye in seeing too clearly, danger for the ear in hearing too sharply and danger to the heart from caring too greatly.
I find that using real people as models keeps me from getting too formulaic in the designs of characters.
You have no idea what portrait painters suffer from the vanity of their sitters.
[Alexander] Hamilton estimated portrait painters as thieves of time.
Most important... develop your technical ability. You are handicapped if you do not develop well enough to hold the subconscious process so as not to have problems of inexperienced painters.
The fact that scientists do not consciously practice a formal methodology is very poor evidence that no such methodology exists. It could be said-has been said-that there is a distinctive methodology of science which scientists practice unwittingly, like the chap in Moliere who found that all his life, unknowingly, he had been speaking prose.
Portrait painters' mission is to portray people and the beauty of Creation. They should stay clear of ego.
I know that a lot of people like to say "formula." I think that as soon as you start to have a formula imputed to your work, you're in danger of becoming formulaic. So the one formula I have as a rule is falling in love with the material.
When you become published and become a reviewer, piles of books come along and you are pushed by fashion and what you are commissioned to do.
In every crisis, people do not respond like a school of fish. Some people become immobilized. Some people become very angry, some commit suicide, and other people begin to find solutions. And visionary organizers look at those people, recognize them and encourage them, and they become leaders of the future.
What I find really interesting is, whenever you see the person who gives you the portrait of yourself, the portrait seems to be a combination of their face and your face.
If the entire script feels formulaic, then you know that the film will be like that. But if it's a really interesting script, and the character happens to be formulaic, then maybe there's a way of making them more interesting.
I guess I just use the word vibe in pretty much everyday context and every sentence I possibly can. Some people find it hilarious, some people find it cool, some people find it infuriating, but ultimately it's coming out of my mouth so as long as i I like the sound of it who cares too much what anyone else thinks?
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