A Quote by Jamie Wyeth
When I paint a portrait I want to know more than just the looks of the person. I want to know how they live and what their feelings are... It then becomes more than just physiognomy, but the feel of the person.
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I would rather sit next to a transgender person and discuss why every single one I've met smells like a bar in the daytime than listen to people tell my why I want to have children and that I just don't know it yet. I do know, because I'm me and my feelings are the ones in my head. I don't want to have kids, and it's not a device to get attention or have conversations about it. I simply find children incredibly immature and, more often than not, dumb.
That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.
I think it's still kind of weird to memorize a line, because you're supposed to 'be' this person, you know? So then its like, if I'm really this person, how can I be in the moment if I know there's just one line I'm supposed to say? It doesn't feel natural. I always just kind of want to say whatever comes up.
Be clear in your mind what you want the outcome of your communication to achieve. If your aim is more than just to vent your anger towards a meat eater and you sincerely want that person to be a kinder more compassionate being, then you must start by seeing them as a kind and compassionate person. If you are unable to see them as kind and compassionate, then how dare you demand them to see themselves that way.
But that's always the way; it don't make no difference whether you do right or wrong, a person's conscience ain't got no sense, and just goes for him anyway. If I had a yaller dog that didn't know no more than a person's conscience does I would pison him. It takes up more room than all the rest of a person's insides, and yet ain't no good, nohow.
I want to be compensated. If I'm working at the post office, and I'm sorting the same mail as the person to the right, and they're making $25 an hour and I'm making $21, I need to know what is this person doing so much better that he's getting $4 more than me. That's just knowing the market and being a smart businessman.
In the calculus of feelings, you never really know how one person's absence will affect you more than another's.
I think it's a relatable concept - when you have a long-term relationship or marriage, and you want to try to be friends with that person, because you kind of grew up with that person and they know you better than anyone, and how it's just impossible to make that transition seamlessly.
To appear to be on the inside and know more than others about what is going on is a great temptation for most people. It is a rare person who is willing to seem to know less than he does ... Somehow, people seem to feel that it is belittling to their importance not to know more than other people.
You know, one day you look at the person and you see something more than you did the night before. Like a switch has been flicked somewhere. And the person who was just a friend is... suddenly the only person you can ever imagine yourself with.
If you get attached, then it becomes an obsession. If the person is not there, you are unhappy. If you miss the person, you are in misery. And attachment is such a disease that if the person is not there you are in misery, and if the person is there you are indifferent. Then it is okay; it is taken for granted. If the person is there it is okay - no more than that. If the person is not there, then you are in misery. This is attachment.
Looks are just something on the surface. I think the electorate is more discerning than that. They want to know your stand on policies.
TV shows are great right now in America. I find myself - and I hate to admit it - but we watch more TV than we go to the movies. As a creative person, you want to be creative, you know? You don't want to constantly wait around - a lot of movies fall apart, or there's just not as much out there as there used to be. Or there are more actors. I don't know. But movie stars are doing TV. And when they're asked about it, they say they love it. Dustin Hoffman, Glenn Close. So it can't be that bad.
Far more crucial than what we know or do not know is what we do not want to know. One often obtains a clue to a person's nature by discovering the reasons for his or her imperviousness to certain impressions.
I'm probably more persuasive than the next person if I want to be, but do I want to be? In my head, I just don't go there.
How does it feel? Really, I don't know because I never try to feel more or less than any player in Leverkusen or Mexico. I don't feel like I'm more famous than other players; I'm just one more footballer who wants to achieve their dreams and to try to help their team as much as they can to do that.
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