A Quote by Jamie Wyeth

To me, dance is so ethereal and elusive, so much of an illusion. After a performance, that's it. With vocals and music, you have good recordings. — © Jamie Wyeth
To me, dance is so ethereal and elusive, so much of an illusion. After a performance, that's it. With vocals and music, you have good recordings.
I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
The dilemma of the eighth-grade dance is that boys and girls use music in different ways. Girls enjoy music they can dance to, music with strong vocals and catchy melodies. Boys, on the other hand, enjoy music they can improve by making up filthy new lyrics.
When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.
When recordings replaced concerts as the dominant mode of hearing music, our conception of the nature of performance and of music itself was altered.
Everyone thinks I'm ethereal. But I'm not like that, you know. I'm not ethereal. Well, I might have a little bit of that quality to me, that 'old soul' thing, but I'm not ethereal.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
The music industry isn't converging toward dance music. Dance music is dance music. It's been around since disco - and way before disco. But there's different versions of dance music.
I don't believe that recordings should sound radically better than the artist, I think that's dishonest. For example, I'm not a great singer but if I spent enough time tweaking my vocals, I could sound like one. But I don't, what you hear is pretty much what I sing.
Before there were any sort of 'recordings' there was performance. If we are devolved back to the Stone Age tomorrow, there will be performance.
Those who know me, after a few beers, I love music and I love to dance, but that doesn't mean I'll be any good!
When I listen to my songs, they seem like pieces of music or art, like a painting that you look at. The reality is that, yes, when I wrote the songs upstairs or wherever, I was writing very specifically about my life or a specific subject matter that's very personal. I've never shied away from that. The vocals and the performance that come after the record, I don't think of that as confessional, but the core of the music is completely. It makes sense that people would see that as being the main thing. I guess not everyone is able to speak so candidly.
In some of the greatest recordings ever made, the performance is a part of the recording. Dylan's 'Rainy Day Women No. 12 and 35' is all about the esthetic of that performance. You can hear the room.
We have grafted, we write our own music, we are great performers - we put our life and soul into it. So when people say, 'Why are they wearing that?' you just want to say, 'Did you hear the vocals? Did you see the performance? Did you see how much went into it?'
To me, dance music is a lot of space - to listen to other things than melodies. I think club music and dance music really require a different way of listening.
The underlying foundation of all religion is performance - whether it's a tribal dance around a campfire to satisfy the fire god, or a dead religious activity performed week after week by an evangelical Christian with the intent of impressing his God. It's all religious performance, and God isn't impressed by our performance. What impresses Him is faith.
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