A Quote by Jamie Wyeth
Being a painter is the only profession where you have to stand there with all your shortcomings on the wall.
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I remember when you used to have your profession on your passport and I always thought that being a painter was the best one to be, because my heroes were Goya and Francis Bacon.
If it is the love of that which your work represents--if, being a landscape painter, it is love of hills and trees that moves you--if, being a figure painter, it is love of human beauty, and human soul that moves you--if, being a flower or animal painter, it is love, and wonder, and delight in petal and in limb that move you, then the Spirit is upon you, and the earth is yours, and the fullness thereof.
Imagine a wall that's green on one side and red on the other. You stand on one side and only see green. I stand on the other side and only see red. We'll both be right about the color we see, even though we disagree on what color the wall is. Being able to realize that the other person has a valid point, even if you disagree with it, that's maturity.
Stand-up comedy is a really lonely profession: you 'perform for 2000 people, then you go to a hotel room by yourself and stare at a wall.
Not every painter has a gift for painting, in fact, many painters are disappointed when they meet with difficulties in art. Painting done under pressure by artists without the necessary talent can only give rise to formlessness, as painting is a profession that requires peace of mind. The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting.
I have no wish to be remembered as a painter, for I never was a painter; my idea of that profession was perhaps too exalted; I may say, is too exalted. I leave it to others more worthy to fill the niches of art.
Also, it's good to have more than one profession, in case your own profession goes out of style. A Wall Street trader who's also a belly dancer will do a lot better than a trader who winds up driving a taxi.
Is there a brick wall getting in your way? Fine. That happens. But you have a choice. You can walk away from the wall. You can go over the wall. You can go under the wall. You can go around the wall. You can also obliterate the wall. In other words, don't let anything get in your way. Get a balance, and then let the positive outdistance the negative.
Short-term performance envy causes many of the shortcomings that lock most investors into a perpetual cycle of underachievement. Watch your competitors not out of jealousy but out of respect and focus your efforts not on replicating others' portfolios but on looking for opportunities where they are not. The only way for investors to significantly outperform is to periodically stand far apart from the crowd, something few are willing, or able, to do.
To the people who love you, you are beautiful already. This is not because they're blind to your shortcomings but because they so clearly see your soul. Your shortcomings then dim by comparison. The people who care about you are willing to let you be imperfect and beautiful, too.
I never consciously said, 'I want to be an actor.' It sounds stupid, but it's kind of like being a painter or something. You don't say, 'From today on I'm going to be a painter.' It's not something conscious - you've just been painting pictures all your life.
I stumbled onto the best profession to heal my childhood: the only one that lets you release and express whatever is ugly and messy and beautiful about your life. We're in the business of creating human beings. The more we spew, and the more honestly we do it, the better. Try that on Wall Street.
We who are in the arts are at the risk of being in a popularity contest rather than a profession. If that fact causes you despair . . . pick another profession. Your desire to communicate must be bigger than your relationship with the chaotic and unfair realities . . . We have to create our own standards of discipline.
You hold in your hand the camel's-hair brush of a painter of Life. You stand before the vast white canvas of Time. The paints are your thoughts, emotions and acts.
We stand against fate, as children stand up against the wall in their father's house, and notch their height from year to year. But when the boy grows to a man, and is master of the house, he pulls down that wall and builds it new and bigger.
The present is always unsettled, no one has had time to contemplate it in tranquillity . I was a painter before I was a writer and a painter never wants the subject right under his nose; he wants to stand back and study a landscape with half-closed eyes.
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