A Quote by Jamie Wyeth
With a creature, there's no voice, so the eyes become the voice. When you get eye-to-eye contact, a real connection, it's limitless - and incredibly thrilling.
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I have a big thing with eye contact, because I think as soon as you make eye contact with somebody, you see them, and they become valued and worthy.
There's really no substitute for being able to sit across from someone, have eye contact, see and read their body language, hear the inflection in their voice in a real way.
Many couples, many people, are not living with real human beings, but with their ghosts. Who has not followed for years the spell of a particular tone of voice, from voice to voice, as the fetishist follows a beautiful foot, scarcely seeing the woman herself? A voice, a mouth, an eye, all stemming from the original fountain of our first desire, directing it, enslaving us, until we choose to unravel the fatal web and free ourselves.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
Flirting all starts with eye contact! You can tell a girl is into you if she's across the room and still making eye contact with you.
The two stand in the fast-thinning throng of victims, but they speak as if they were alone. Eye to eye, voice to voice, hand to hand, heart to heart, these two children of the Universal Mother, else so wide apart and differing, have come together on the dark highway, to repair home together and to rest in her bosom.
I have a problem with making eye contact with people, or with holding eye contact.
Needed are...[souls] filled with compassion, that we might communicate not only eye to eye, or voice to ear, but in the majestic style of the Savior, even heart to heart.
There are simple rules of engagement: You need to have your voice, but it has to be very intentional - be brief and to the point, with fresh ideas. Don't restate things someone else has said. Make eye contact with the person who has the floor.
I think of Gord Downie voice as Whitman-esque. He has a poetic voice that contains multitudes, both the suppleness of the instrument of his voice, and just the lyrical boundaries that he pushes, which are really always thrilling to me.
The artist does not see both eyes alike. There is always 'the eye' and the other eye... It adds life and plasticity to the drawing if the eye in the light is darker than the one in the shadow. It gives the head vividness.
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
If you're a cartoon character or most TV characters, sure, you'll fight, because the punches are juicy-sounding and they don't leave marks. But in real life, if somebody punches you in the eye, it doesn't make any noise and your eye is swollen for, like, six months. It's a nightmare to get punched in the eye.
Since I've stopped drinking I'm way better at singing. I can project my voice better. I can actually walk on stage and make eye contact with the audience, which I never used to know how to do in the past. So, it's made a huge difference for me.
Whatever of goodness emanates from the soul, gathers its soft halo in the eyes; and if the heart be a lurking place of crime, the eyes are sure to betray the secret. A beautiful eye makes silence eloquent, a kind eye makes contradiction assent, an enraged eye makes beauty a deformity; so you see, forsooth, the little organ plays no inconsiderable, if not a dominant, part.
The scary thing is how quickly everyone's star fades. Therefore, to be a voice, you need to do television. You need to stay in the public eye for the public to care about you, to be a big enough voice to help where it is needed.
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