A Quote by Jamie Wyeth

Painting is such an individual profession. I'm not performing. There's no audience. — © Jamie Wyeth
Painting is such an individual profession. I'm not performing. There's no audience.
I definitely love performing live because there are moments of spontaneity. And as much as you're performing on stage, I feel like the audience is performing, too.
The cool thing about WWE is it's like entertainment boot camp. You're performing in front of a live audience, a different audience every night. You're doing promos in the ring. You're doing talking segments in the back. You're wrestling. You're performing. It's everything all rolled into one.
Not every painter has a gift for painting, in fact, many painters are disappointed when they meet with difficulties in art. Painting done under pressure by artists without the necessary talent can only give rise to formlessness, as painting is a profession that requires peace of mind. The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting.
Painting done under pressure by artists without the necessary talent can only give rise to formlessness, as painting is a profession that requires peace of mind.
I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.
In all my years of performing, no audience member has ever actually assaulted me. I consider this to be the singular triumph of my performing career.
I feel that tennis is an art form that is capable of moving the players and the audience - at least a knowledgeable audience-in almost sensual ways. When I'm performing at my absolute best, I think that some of the euphoria I feel must be transmitted to the audience.
Once I'm performing the show, I think that hour show has a certain intimacy with our audience. And that intimacy is through the lens and the live audience is a witness to that, whereas the audience at home is actually the object of my efforts.
The way you survive in the performing arts is by having a sense of your audience, and doing things which entertain and satisfy the audience, but in a more important way, cause the audience to question many things.
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
Painting to me is addictive. These are moments when it is inspiring, but they are few and far between. I keep my tools sharpened for the moment when things do start clicking, but that doesn't happen a lot. I really have to push myself sometimes. Painting is a profession in which it is very easy to be lazy, particularly if you have any degree of success.
I moved to New York and went to a performing arts college, but it wasn't until UCB that I started performing on the regular, figuring out how I'm funny, why I'm funny, and how to play with an audience.
I would never put a sculpture in front of a painting, so that it is difficult to see the painting. I always place each thing so you can see it isolated. You can focus on every individual work.
The library profession is ... a profession that is informed, illuminated, radiated by a fierce and beautiful love of books. A love so overwhelming that it engulfs community after community and makes the culture of our time distinctive, individual, creative and truly of the spirit.
Only an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
In effect, painting is the still memory of [the artist's] human motion, and our individual responses to it depend on who we are, on our character, which underlines the simple truth that no person leaves himself behind in order to look at a painting.
This site uses cookies to ensure you get the best experience. More info...
Got it!