A Quote by Jamie Wyeth
My sketchbooks are usually just a line on one page or a circle, which to most people must be totally meaningless. But to me, they are very important to the thing I am working on.
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Things can be really empty in this world, and I don't just mean the music world. It can become a very meaningless place if you don't really understand: Who am I? Why am I here? What am I doing? To feel fulfillment and have a deeper level of understanding, personally, that is the most important thing.
Things can be really empty in this world, and I don't just mean the music world. It can become a very meaningless place if you don't really understand: 'who am I? Why am I here? What am I doing?' To feel fulfilment and have a deeper level of understanding, personally, that is the most important thing.
I am interested in the confines of the page and busting through/off the page as well. A writer must let go of the line when writing prose poems, which brings its own pleasures.
Everybody's got a different circle of competence. The important thing is not how big the circle is. The important thing is staying inside the circle.
The script is the most important thing for me. I'm advised that other things are important too, and they are. The director that you'll be working with is hugely important, and the cast that are with you is really important as well. But, for me, the thing that gets my heart excited and really makes me invested in something or not is just the quality of the script.
I'm very please to have Unai Emery as my coach. I'm convinced I'll be able to make progress under him by working hard, which is the most important thing for me.
If you picture Time as a straight line along which we have to travel, then you must think of God as the whole page on which the line is drawn.
I think it's very important that I don't lose my circle of friends and the people who helped me get to where I am now.
I think it's also important for people to really see that your identity doesn't come just from what you do but who you are. My relationship with Jesus Christ is the most important thing to me. Because of that, I don't have to change whether I am one of the most popular guys in football.
Hollywood does tend to portray CIA officers as totally the honey trap. Looks matter as they do in any profession. But the most important thing for me when I was working was blending into my environment.
At one time I thought the most important thing was talent. I think now that the young man must possess or teach himself, training himself, in infinite patience, which is to try and to try until it comes right. He must train himself in ruthless intolerance-that is to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is to be-curiosity-to wonder, to mull, and to muse why it is that man does what he does, and if you have that, then I don't think the talent makes much difference, whether you've got it or not.
The plot is very important because writers have to play fair with their readers, but no one would care about the plot if the character work wasn't there. So, basically every book I work on starts with me thinking not just about the bad thing that's going to happen, but how that bad thing is going to ripple through the community, the family of the victim, and the lives of the investigators. I am keenly aware when I'm working that the crimes I am writing about have happened to real people. I take that very seriously.
The most important thing for me is realism. I don't like writing which does somersaults on the page, and I'm no great fan of the hard work literary novel.
That's the most important thing to me - that if I'm gonna spend however long it takes to make a movie, give up 14 hours a day for however many weeks or months, then it's very important for me to know that I'm working with people who I respect and enjoy and that we're going for something together.
The plot is not very important to me, though a novel must have one, of course. It's just a line to hang the washing on.
In the case of 'Sweet Tooth,' and in the case of a lot of stuff I do, it all starts with the image. It may be something I sketch in my sketchbooks - something that reoccurs in the sketchbooks. Eventually, a character or story line starts to grow out of that.
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