A Quote by Jamie Wyeth
Dance looks absurd on film, I think, like little puppets moving around.
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'Poltergeist' was really the film that really scarred but fascinated me with puppets and dolls, clowns, and stuff like that. I've always been afraid of clowns, and then my fear of puppets came around, and 'Poltergeist' was the perfect combination to scare me with a clown doll.
I didn't start out my directorial career with a dance film, as I knew people thought a choreographer will easily make a dance film. And even with a non-dance film, I had delivered a successful film.
You look at it [a photograph] and all around the real world is humming, buzzing and moving, and yet in this little frame there is stillness that looks like the world. That connection, that collision, that interfacing, is one of the most astonishing things we can experience.
I really think music and movement - dance, you know - and literature inform my visuals. I think film is also based in dance. The relationship between me, the camera and the actor is always a dance.
The question is, do we have a shadow government? And, if we do, who are those intelligent minority that is -- that is guiding us through? And where are they guiding us to? If you skip past all of the puppets and the strings, if you stop looking at the puppets themselves, you have to see who's behind the puppets. Who is choosing the puppets and the players? Who's the puppet master? George Soros.
I think it's one thing to be able to dance, and it's another thing to learn all the wonderful moments of dance because in my day... it was the moving of dance.
And for those of us who have, you know, looked in sort of the established order of the political fray over the course of the past several years, it looks like chaos. But to the people I think it looks like democracy. And I think that that's something that really is moving us to a new reality, where the parties are going to have to retrofit themselves and adapt to this new realignment.
You just have to take a little salt, and since I'm doing that it's, like, BOOM! In one week, I felt it kick in. All the commotion around me, all the water around me, moving left and right around me, became like a lake.
Having watched 'X Factor' over the years, they just haven't got it right. The male winners haven't been believable. They look like puppets; they sound like puppets.
I like to dance. I always make my husband dance with me when we are in the kitchen to whatever gets us moving. One my favorite is bands is Mana, but I like all kinds of music.
I feel like when you have an unauthorized police badge and something that looks like it could be a concealed weapon in the small of your back that when you, someone crosses you, pisses you off, road rage, I think just the slight badge and the little moving away of the jacket and not losing eye contact does amazing things.
We're also irreverent, we have an irreverent attitude towards puppets, as well. So a lot of what we do is we're kind of making fun of the puppets for being puppets, even while we're doing it. And again, that all feeds into the absurdity of this show.
Directing a movie is a little bit like being back in student government and putting on the homecoming dance. You're like, 'You put up the streamers, and you hire the DJ, and you get the punch bowl.' Some people are just like, 'This dance sucks.' And you're like, 'No no, this dance is awesome!' You have to be really positive.
Stand at the base and look up at 3,000 feet of blankness. It just looks like there's no way you can climb it. That's what you seek as a climber. You want to find something that looks absurd and figure out how to do it.
I don't dance like I used to, but I'm moving and I'll be doing my form of dance at Town Hall... I hit my limitations but I learn to work with what I've got.
You can exaggerate with puppets. You're not trying to look like real people. The way the Muppets are designed is really appealing. Puppets are best if they're exaggerated creatures.
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