A Quote by Jamila Woods

I like to borrow forms and quotes and use a lot of allusions, in both poetry and music. — © Jamila Woods
I like to borrow forms and quotes and use a lot of allusions, in both poetry and music.
For quotes, I have one document for general quotes; the other for happiness-related quotes, which I use for the 'Moment of Happiness,' my daily emails of happiness quotes.
I'm saying that the domain of poetry includes both oral & written forms, that poetry goes back to a pre-literate situation & would survive a post-literate situation, that human speech is a near-endless source of poetic forms, that there has always been more oral than written poetry, & that we can no longer pretend to a knowledge of poetry if we deny its oral dimension.
Quotes are like prompts. A way of searching, connecting the dots. Other people's thinking has always - both positively and negatively - jumpstarted my thinking. Quotes are also a way of acting out not just a text, and not just thinking, but the making of a text. The construction of thinking. The quotes are part of those constructions and reflections. Thinking through quotes, which to say scouring a range of texts for insight, is one way to outline the process of thinking/feeling through a subject.
I often use official documents or bureaucratic forms within my work. I find their structure and language style leaves a lot of room for poetry and my own interpretation.
Nature delights in making use of the same forms in the most various biological connections: as it does, for instance, in the appearance of branch-like structures both in coral and in plants, and indeed in some forms of crystal and in certain chemical precipitates.
I came to writing mysteries through poetry and still think that a well-constructed mystery is very much like a well-constructed sonnet. Both are artificial forms. Both start off in one direction and then, with a twist of the concluding couplet/surprising ending, both reveal that they were headed somewhere different all the time.
I think rap music is rap music. I mean, are there heavy writing aspects of it? Absolutely. In a sense, is it poetry? Yeah. I've heard that so much, growing up in a house with poetry. But I think people like to use that as a shortcut for who's good and who's not. It's like the word 'lyrical' - 'lyrical' is the worst word in the entire world.
There are tons of people in the West who love fiddles, banjos and mandolins. If you got to any cowboy poetry and music gathering those are the instruments they use. It's acoustic music. We don't do that much modern country that has electric guitars and a lot of volume. It's a gentler form of music. It's from the land and comes from the ranchers and farmers.
Rap isn't poetry, not least because it involves music and often other elements that aren't words. But the way poets in English use things like rhyme and meter, and the ways these conventions both do and don't apply to rap we try to lay out the rules for rap, in order to understand the techniques that artists like Jay-Z and Kanye employ.
Poetry is music though, unfortunately, not all music is poetry. Because music has other carriers to take its message - beats, lyrics, singers, bass players - anyone in music can rise to make a major statement but in poetry there are only words to do the work. And they do sometimes have to sweat.
I like to read quotes that touch on how I am feeling [on social media]. If I am dealing with confusion, I will read quotes about clarity and peace of mind. I started posting these quotes on my Twitter page, and the fans responded so positively! I realized that many of them were dealing with similar issues, and the quotes helped to open up a genuine dialogue between us.
All forms are complex once you get to a really high level, and jazz and hip-hop are so connected. In hip-hop, you sample, while in jazz, you take Broadway tunes and turn them into something different. They're both forms that repurpose other forms of music.
It is true that short forms of poetry have been cultivated in the Far East more than in modern Europe; but in all European literature short forms of poetry are to be found - indeed quite as short as anything in Japanese.
There was a lot of freedom, so bands in those days did not have to play for the public. They played for club owners that enjoyed music. You know, what happened - there was a lot of clubs that had bebop music or different forms of music. It was great for musicians.
A lot of bands have managed to borrow parts of our style for their music. That's fine with me, because we've borrowed from people like the Stones. But we don't want to sound like we're copying anyone, including ourselves, so we're moving on.
What you have to understand is that blues... it's in a line from the oldest forms of African music. If you're playing it like it's an echo of the past, it would be a lot less exciting, but this music lives today.
This site uses cookies to ensure you get the best experience. More info...
Got it!