A Quote by Jamila Woods

When you're in a choir, it's about blending into how everyone else sounds. — © Jamila Woods
When you're in a choir, it's about blending into how everyone else sounds.
I have such happy memories of performing in a choir and I don't think I'd have got where I am today without all that experience. So my advice to young singers is to either join your school or church's choir or find one in your local area. Choral music at any level teaches you so much about musicianship and blending your voice.
I usually speak with all my drummers so that I write my songs with them in mind, and we'll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology, I can play all kinds of sounds - double bass and stuff.
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
Big Data is like teenage sex: everyone talks about it, nobody really knows how to do it, everyone thinks everyone else is doing it, so everyone claims they are doing it.
I know it sounds selfish, wanting to do something no one else has done. But that's what you're out here for - to separate yourself from everyone else.
When I got married, I hired a great choir - the St. James Choir, an all-black gospel choir - to sing at my wedding.
And I've teamed up with a choir from home. They're called the Gori Women's Choir. They're a 23-piece all-female choir, and they've been going since the '70s.
I began as a dramatist in the theater, so I'm always thinking about how a story moves, what it looks like, how to engage the senses, how dialogue sounds, what feels authentic and sounds real, what's funny, how to build distinctive and original characters - all the aspects of playwriting, scene-building, the architecture of dramatizing.
Listening to the birds tells you different things about a place. I heard bird sounds I'd never heard before. I heard street sounds and country sounds and city sounds that are very different from what it is I'm used to and I get very fascinated about how that marks a place.
Theater, for me, is no longer a conversation about how we destroy each other; it's much more about how we may be destroying everyone else.
Preaching to the choir actually arms the choir with arguments and elevates the choir's discourse. There's a reason the right does it and does it well and triumphs.
I went to, you know, a church in Chicago, and my mom, of course, was in the choir because my mom was a singer; she used to sing. I wanted to be in the choir as well, and I was like, 'Mom, please, you know, I want to sing in the choir with you guys.' I kept on asking her, and finally I was, you know, in the choir.
I do not think everyone is created equal. In fact, I know they're not. [The Constitution] means that everyone should have the same laws as everyone else. It doesn't mean that everyone's as smart or as cute or as lucky as everyone else.
I just like blending all the genres together but blending them up in a good way. I try to be as free as I can with it.
I remember performing with the Choir as an instrumentalist when I was still in school and it was wonderful to share the stage with them again more recently in Rhyl and at the opening of the Wales vs New Zealand rugby international at the Millennium Stadium. Here's wishing everyone involved in the Choir every success - I can't wait to perform with you again.
What I've learned about being a parent is how much you sort of secretly learn from everyone else and how valuable it is.
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