A Quote by Jamila Woods

That's important for artists to remember: some people would like to be spokespeople, but others would like their art to speak. — © Jamila Woods
That's important for artists to remember: some people would like to be spokespeople, but others would like their art to speak.
Art is important because when people start to forget, art reminds them what happened. Like 'Guernica.' People would not remember the tragedy of Guernica today if it were not for that painting.
That's the test of street art – to see if anybody stopped. People would cross out ones they didn't like and would star others. I liked that people would engage with them.
That's the test of street art - to see if anybody stopped. People would cross out ones they didn't like and would star others. I liked that people would engage with them.
If people lacked the capacity to receive the thoughts of the men who preceded them and to pass on to others their own thoughts, men would be like wild beasts. And if men lacked this other capacity of being infected by art, people would be almost more savage still, and, above all, more separated from and more hostile to one another. Therefore the activity of art is a most important one, as important as the activity of speech itself and as generally diffused.
You remember some bedrooms you have slept in. There are bedrooms you like to remember and others you would like to forget.
I was the most important person of the world, and people like the Pope would be just like enemies, who would try to put me down in some way or another, or the president. People are always selling the idea that people who have mental illness are suffering.
Honestly, some cases have been more famous than others - like Tot Mom, or Steven Avery, or Scott Peterson - but I would not characterize any one as being more special to me, more intriguing, or more important because that would be placing one victim as more important, or one defendant as more [notorious] than others, and I don't think that's right.
Some of my best friends are tattooed from head to toe. Some would never think of it. Some are rocking a mullet and a moustache and others are clean cut. It's funny that you don't need to speak the same language or look like someone to fit in.
I hope that through my work, artists will take some chances, break some rules, and make art that comes from inside of them. I would like to be remembered as a kind person, a great Mom, and a bit unruly - in a good way!
I think the people I have met have meant a great deal to me, more than any shot I ever hit. I will always remember some golf shots, but others I would like to forget.
I don't think there is room for 'artistic temperament.' Professional artists understand art is a business. If businesses ran their companies like many artists do their careers, they would not stay open a year.
The wisest people are the clowns, like Harpo Marx, who would not speak. If I could have anything I want I would like God to listen to what Harpo was not saying, and understand why Harpo would not talk.
I think my ideal man would speak many languages. He would speak Ibo and Yoruba and English and French and all of the others. He could speak with any person, even the soldiers, and if there was violence in their heart he could change it. He would not have to fight, do you see? Maybe he would not be very handsome, but he would be beautiful when he spoke. He would be very kind, even if you burned his food because you were laughing and talking with your girlfriends instead of watching the cooking. He would just say, 'Ah, never mind'.
If life were like a competitive race, some people would be given a flying start and others would line up with weights tied to their ankles.
I would have conversations with European artists. Meaning, people look at my painting and one person would say, "Oh, your painting is just like so-and-so!" Another person would say, "It's just like so-and-so." But at the end, it's a chain of relay like a marathon. There are so many so-and-so's that eventually it becomes mine. My dialogue was completely European, with the '40s, '50s, '60s artists, but on the exterior side I do big painting. It's post-Pollock. It's current. It's a meeting of the time. The Chinese side just comes out.
I would like to get out to the region in the Caspian sea. I would like to go there. I would like to get to Darfur. I would like to get to Khartoum in Northern Sudan. I would like to get to Zimbabwe. I would like to go back to North Korea, if I could. I would like to go to Yemen. I would like to get to Kashmir. Most of those destinations I will get to.
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