A Quote by Jan de Bont
We are creating a fabulous franchise with an incredible female action hero.
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We haven't evolved a hero story that's female. We're always trying to fit women's stories into this male structure, which is this rising action, this powerful conflict, and this falling action. And I think a female hero story is not that. It's something else.
I think there need to be more female action heroines out there that are intelligent and not overly masculine and things like that so I'd love to find - and real too. Not necessarily the superhero perfect archetype of what an action hero is represented as a lot of times. I would love to find that kind of action heroine role to play.
I think there need to be more female action heroines out there that are intelligent and not overly masculine and things like that so Id love to find - and real too. Not necessarily the superhero perfect archetype of what an action hero is represented as a lot of times. I would love to find that kind of action heroine role to play.
I don't believe that a female character needs to surrender her femininity in order to be an action hero.
Here are examples of real women who have done real things: good, bad, and in between. We're expanding not just the definition of the female or feminine hero, but also villains and more complex, nuanced female characters. Too often I hear men say, "I don't know how to write women." Here you go, here are five incredible women you can use to inspire your own stories.
The first one I did was an action film with Sammo Hung and George Lam, but I had the usual female role for that time: you know, damsel in distress, rescued by the hero.
I don't think action alone is enough to sustain a film franchise. There are tons of action movies out there that come and go and people don't care about.
I think the superhero platform gives the female character, you know, a relate-ability for the male audience as well. So, I think that's why people are kinda gravitating towards female super hero characters, and also female characters in general as big parts of the film. So, that's great for us, female actors who want to do roles like that, which is really great.
[Action's] a Western thing. We think of the hero going into battle, rebelling against a government or an oppressor, but [in KUNDUN] action is nonaction or what appears to be nonaction. That's a hard concept for Western audiences. . . . We wanted to show a kind of moral action, a spiritual action, an emotional action. Some people will pick up on it; some won't.
I feel Vidyut is a next-gen action hero who is extremely professional and a hard worker. I think he is the most sought after action king, because I really loved the kind of action he has done.
For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
When Paul Heyman came and gave me the whole idea for the character, 'The Franchise,' I remember the NFL was just starting to classify one of their players as the franchise player. So that was the whole idea, that 'The Franchise' was the franchise player for ECW.
I think there was the studio mentality for a long time that women and girls can relate to a male hero, but boys and men can't relate to a female hero.
I love the idea of a movie hero in a thriller who is able to get ahead by just his brilliance, and not with a gun or by being an action hero.
'Westworld' is going to be incredible, and the production line is amazing. That was really nice because Lisa Nolan, who is in charge there, is fabulous and is a great example of a woman doing that role. So that was great, and she's amazing - an incredible writer and fantastic to work with.
I still don't understand why the tag of 'action hero' follows me. My films have all these elements - romance, action and comedy. None of the fight sequences of my character is an act of randomness. There's a reason to action in my films.
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